"The art of mastering life is the prerequisite for all further forms of expression, whether they are paintings, sculptures, tragedies, or musical compositions"
About this Quote
Klee slips a quiet provocation into a sentence that sounds, at first, like self-help for aesthetes. He flips the usual hierarchy: technique, genre, even inspiration come second. The real foundation is not drawing, not color theory, not the studio’s sacred mess, but a harder, less romantic craft - living well enough to hold experience without collapsing under it.
The intent is partly defensive, partly insurgent. As a modernist working in a Europe rattled by war, ideological certainty, and rapid technological change, Klee understood that “expression” can turn into mere style when the person behind it is unsteady, uncurious, or ethically asleep. His line insists that art isn’t an escape hatch from life; it’s an afterimage of how you’ve metabolized it. Mastery here doesn’t mean domination or control so much as calibration: learning to pay attention, to endure ambiguity, to keep your inner weather from dictating every mark you make.
The subtext is also a jab at the culture of virtuosity. “Paintings, sculptures, tragedies, or musical compositions” reads like a roll call of prestigious forms, and Klee demotes them to “further” expressions - downstream outcomes. That’s classic Bauhaus-era thinking: integrate the whole person, not just refine the product. In Klee’s world, the artist isn’t a separate species with special permission to be chaotic. The real artistry is building a life sturdy enough to tell the truth, even when the truth isn’t beautiful.
The intent is partly defensive, partly insurgent. As a modernist working in a Europe rattled by war, ideological certainty, and rapid technological change, Klee understood that “expression” can turn into mere style when the person behind it is unsteady, uncurious, or ethically asleep. His line insists that art isn’t an escape hatch from life; it’s an afterimage of how you’ve metabolized it. Mastery here doesn’t mean domination or control so much as calibration: learning to pay attention, to endure ambiguity, to keep your inner weather from dictating every mark you make.
The subtext is also a jab at the culture of virtuosity. “Paintings, sculptures, tragedies, or musical compositions” reads like a roll call of prestigious forms, and Klee demotes them to “further” expressions - downstream outcomes. That’s classic Bauhaus-era thinking: integrate the whole person, not just refine the product. In Klee’s world, the artist isn’t a separate species with special permission to be chaotic. The real artistry is building a life sturdy enough to tell the truth, even when the truth isn’t beautiful.
Quote Details
| Topic | Art |
|---|
More Quotes by Paul
Add to List






