"The atmosphere was wide open in those circles that we traveled in"
About this Quote
“The atmosphere was wide open” is an artist’s way of describing a scene where the usual rules stopped applying - socially, aesthetically, even morally. David Amram isn’t reaching for poetry here so much as a lived shorthand: a few plain words that smuggle in an entire mid-century bohemian ecology. Coming from a composer who moved between jazz clubs, Beat readings, and cross-disciplinary downtown scenes, “wide open” signals permeability. Genres leaked into each other. People did, too. The phrase suggests a permission structure: you could try something untested, talk to someone “above your station,” or make a mess without being immediately sorted into failure.
The subtext is as important as the nostalgia. “In those circles that we traveled in” quietly marks an inside/outside boundary. Openness isn’t universal; it’s cultivated within a network that knows how to recognize its own. That’s how creative worlds work: they advertise radical freedom while relying on informal gatekeeping - taste, proximity, reputation, who’s in the room. Amram’s line remembers the freedom without fully naming the scaffolding that made it possible.
Contextually, it also reads as a rebuttal to the myth that American culture was uniformly buttoned-up in the 1950s and early 60s. His “wide open” atmosphere is the counter-public: artists and musicians building parallel institutions in apartments, clubs, and after-hours conversations. The intent feels testimonial rather than argumentative: not “we were better,” but “it was possible” - and by implication, it could be possible again if you build the circles.
The subtext is as important as the nostalgia. “In those circles that we traveled in” quietly marks an inside/outside boundary. Openness isn’t universal; it’s cultivated within a network that knows how to recognize its own. That’s how creative worlds work: they advertise radical freedom while relying on informal gatekeeping - taste, proximity, reputation, who’s in the room. Amram’s line remembers the freedom without fully naming the scaffolding that made it possible.
Contextually, it also reads as a rebuttal to the myth that American culture was uniformly buttoned-up in the 1950s and early 60s. His “wide open” atmosphere is the counter-public: artists and musicians building parallel institutions in apartments, clubs, and after-hours conversations. The intent feels testimonial rather than argumentative: not “we were better,” but “it was possible” - and by implication, it could be possible again if you build the circles.
Quote Details
| Topic | Nostalgia |
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