"The audience that surprised us the most was definitely Paris, when we played there last. They were just incredibly into us and we weren't expecting it at all"
About this Quote
There is a particular kind of rock-star humility that feels less like modesty and more like confession, and Jon Crosby lands on it by centering surprise. Paris isn’t just a city here; it’s a reputation. The subtext is that a band arrives with a mental map of where they’re supposed to matter, and Paris sits on the “hard crowd” side of the ledger: sophisticated, selective, maybe even indifferent to an outsider’s earnestness. When that script flips, it scrambles the band’s self-image in the best way.
Crosby’s phrasing does two smart things at once. First, it narrates validation without bragging. “Incredibly into us” is visceral, crowd-level language, the opposite of industry metrics. Second, “we weren’t expecting it at all” exposes the pre-show insecurity most acts carry but rarely admit. It lets fans hear the human behind the stage persona: touring is a sequence of gambles, and even established musicians walk out not knowing if they’ll be met with devotion or polite silence.
Context matters because cities operate like cultural mirrors. A great Paris show isn’t only about ticket sales; it’s a signal that the music travels, that whatever emotional frequency the band broadcasts can cut through language, scene politics, and taste hierarchies. The intent reads as gratitude, but the deeper payoff is myth-making: a single night in a storied place becomes proof of belonging on a bigger map, turning “we got lucky” into “we might be real.”
Crosby’s phrasing does two smart things at once. First, it narrates validation without bragging. “Incredibly into us” is visceral, crowd-level language, the opposite of industry metrics. Second, “we weren’t expecting it at all” exposes the pre-show insecurity most acts carry but rarely admit. It lets fans hear the human behind the stage persona: touring is a sequence of gambles, and even established musicians walk out not knowing if they’ll be met with devotion or polite silence.
Context matters because cities operate like cultural mirrors. A great Paris show isn’t only about ticket sales; it’s a signal that the music travels, that whatever emotional frequency the band broadcasts can cut through language, scene politics, and taste hierarchies. The intent reads as gratitude, but the deeper payoff is myth-making: a single night in a storied place becomes proof of belonging on a bigger map, turning “we got lucky” into “we might be real.”
Quote Details
| Topic | Music |
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