"The BBC produces wonderful programmes; it also produces a load of old rubbish"
About this Quote
Dimbleby’s line lands because it refuses the reverential tone that usually surrounds the BBC. In one breath he grants the corporation its halo - “wonderful programmes” - and in the next he punctures it with the gloriously blunt “a load of old rubbish.” The pivot is the point: it’s not a takedown, it’s a refusal of brand totality. The BBC isn’t a temple or a villain; it’s a factory, and factories turn out both craft and scrap.
The phrasing matters. “Produces” is repeated like a drumbeat, treating culture as output, not magic. That repetition also smuggles in a critique of systems: the same institutional machinery, funding model, commissioning culture, and risk calculus can generate landmark journalism and safe, forgettable filler. “Old rubbish” is deliberately unspecific, the kind of kitchen-table verdict viewers use when they feel talked down to or simply bored. It’s populist language deployed by an establishment voice, a canny move that signals independence while staying inside the BBC’s orbit.
Contextually, Dimbleby belongs to a Britain where the BBC is both national pride and perennial political football: attacked for being too liberal, too conservative, too metropolitan, too stuffy, too everything. His intent is to carve out a stance that sounds like common sense amid that noise: defend public broadcasting’s peak achievements without granting it immunity from criticism. The subtext is a warning against piety. If the BBC wants trust, it has to earn it nightly, not cash it in on history.
The phrasing matters. “Produces” is repeated like a drumbeat, treating culture as output, not magic. That repetition also smuggles in a critique of systems: the same institutional machinery, funding model, commissioning culture, and risk calculus can generate landmark journalism and safe, forgettable filler. “Old rubbish” is deliberately unspecific, the kind of kitchen-table verdict viewers use when they feel talked down to or simply bored. It’s populist language deployed by an establishment voice, a canny move that signals independence while staying inside the BBC’s orbit.
Contextually, Dimbleby belongs to a Britain where the BBC is both national pride and perennial political football: attacked for being too liberal, too conservative, too metropolitan, too stuffy, too everything. His intent is to carve out a stance that sounds like common sense amid that noise: defend public broadcasting’s peak achievements without granting it immunity from criticism. The subtext is a warning against piety. If the BBC wants trust, it has to earn it nightly, not cash it in on history.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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