"The belief in a supernatural source of evil is not necessary; men alone are quite capable of every wickedness"
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Conrad guts the comforting theology that evil comes from somewhere else. No demon, no curse, no metaphysical contaminant required: just ordinary people, with ordinary motives, placed in conditions that let cruelty bloom. The line works because it denies the reader an escape hatch. If wickedness is supernatural, it can be exorcised, quarantined, blamed on forces beyond the self. If it is human-made, it sticks to the hands that built it.
The subtext is Conrad's signature suspicion of moral alibis, especially the kind packaged as civilization. Coming out of a late-imperial world that sold conquest as progress, Conrad watched European powers dress extraction and violence in pious language and administrative paperwork. The real horror, in his fiction, is rarely theatrical. It's bureaucratic. It's the calm, sane voice explaining why other lives don't count. That is what makes men "quite capable": not merely rage or sadism, but rationalization, obedience, and the hunger for status.
Context matters: Conrad is writing after the industrialization of war and alongside the documented brutality of colonial regimes (the Congo is the obvious shadow behind him). His point isn't that humans are uniquely vile; it's that systems turn human flexibility into an instrument. Strip away the supernatural and you also strip away the fantasy of purity. The moral work can't be outsourced to religion or fate. It has to be fought where Conrad insists it actually lives: inside institutions, inside narratives, inside us.
The subtext is Conrad's signature suspicion of moral alibis, especially the kind packaged as civilization. Coming out of a late-imperial world that sold conquest as progress, Conrad watched European powers dress extraction and violence in pious language and administrative paperwork. The real horror, in his fiction, is rarely theatrical. It's bureaucratic. It's the calm, sane voice explaining why other lives don't count. That is what makes men "quite capable": not merely rage or sadism, but rationalization, obedience, and the hunger for status.
Context matters: Conrad is writing after the industrialization of war and alongside the documented brutality of colonial regimes (the Congo is the obvious shadow behind him). His point isn't that humans are uniquely vile; it's that systems turn human flexibility into an instrument. Strip away the supernatural and you also strip away the fantasy of purity. The moral work can't be outsourced to religion or fate. It has to be fought where Conrad insists it actually lives: inside institutions, inside narratives, inside us.
Quote Details
| Topic | Ethics & Morality |
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