"The best thing that can come with success is the knowledge that it is nothing to long for"
About this Quote
Success, in Liv Ullmann's hands, isn't a trophy so much as a plot twist. The line lands like a quiet corrective to celebrity culture: the real reward of "making it" is discovering that the thing everyone chases is oddly weightless once you hold it.
Ullmann frames success as a kind of exposure therapy. You live long enough in the spotlight to see what it actually buys: access, yes, and maybe leverage, but not the steady inner weather people assume comes with applause. The phrasing matters. "The best thing" sets up an expectation of glamour, then pivots to "knowledge", an inward, almost unsellable prize. It's a reversal that feels especially pointed coming from an actress whose career was forged in the high-prestige world of European art cinema, where fame and seriousness uneasily coexist.
The subtext is a warning about desire itself. Longing is the engine of ambition, but it's also a trap: it postpones your life until some imagined arrival. Ullmann doesn't romanticize failure; she demotes success. Once you've reached it, you can stop bargaining with it, stop treating it like proof of worth. That's the freedom she's describing: not disdain for achievement, but release from the fantasy that achievement will settle your nerves, heal your history, or make you finally legible to yourself.
In an industry built on being wanted, her bluntest insight is that being wanted doesn't cure wanting. That recognition, she suggests, is what adulthood looks like.
Ullmann frames success as a kind of exposure therapy. You live long enough in the spotlight to see what it actually buys: access, yes, and maybe leverage, but not the steady inner weather people assume comes with applause. The phrasing matters. "The best thing" sets up an expectation of glamour, then pivots to "knowledge", an inward, almost unsellable prize. It's a reversal that feels especially pointed coming from an actress whose career was forged in the high-prestige world of European art cinema, where fame and seriousness uneasily coexist.
The subtext is a warning about desire itself. Longing is the engine of ambition, but it's also a trap: it postpones your life until some imagined arrival. Ullmann doesn't romanticize failure; she demotes success. Once you've reached it, you can stop bargaining with it, stop treating it like proof of worth. That's the freedom she's describing: not disdain for achievement, but release from the fantasy that achievement will settle your nerves, heal your history, or make you finally legible to yourself.
In an industry built on being wanted, her bluntest insight is that being wanted doesn't cure wanting. That recognition, she suggests, is what adulthood looks like.
Quote Details
| Topic | Contentment |
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