"The blues is something separate from what I do. They connect at certain spots, but blues is different. I wouldn't put it in with what my career has been. That would be a whole separate wing"
About this Quote
Bob Mould is drawing a hard line that’s really about respect and self-definition. Coming up through punk and alternative rock, he’s spent a career being filed under labels that critics love because they’re tidy: punk lineage, indie credibility, college-rock canon. Here he refuses one of the most magnetized labels in American music: the blues. Not because he doesn’t feel it, but because he knows what happens when you claim it. “Blues” isn’t just a sound; it’s a historical weight class, a tradition with deep Black roots and a long, messy afterlife in white rock appropriation and cosplay authenticity.
His phrasing does a lot of work. “They connect at certain spots” admits the obvious: the blues is baked into rock’s DNA, and Mould’s songwriting lives on pain, grit, repetition, and release. But “separate” and “a whole separate wing” sounds like a museum layout. He’s curating his own legacy, insisting that influence doesn’t equal membership. That’s a subtle pushback against the rock-critic habit of granting the blues as a kind of lifetime achievement badge, a way to certify seriousness.
The subtext is also practical. Mould’s emotional palette can overlap with blues without adopting its stylistic rules or its cultural claims. He’s protecting his narrative from being retrofitted into a genre he didn’t primarily serve, and he’s protecting the genre from being used as a catch-all synonym for suffering. It’s an unusually careful stance in rock: acknowledging the source without trying to wear it.
His phrasing does a lot of work. “They connect at certain spots” admits the obvious: the blues is baked into rock’s DNA, and Mould’s songwriting lives on pain, grit, repetition, and release. But “separate” and “a whole separate wing” sounds like a museum layout. He’s curating his own legacy, insisting that influence doesn’t equal membership. That’s a subtle pushback against the rock-critic habit of granting the blues as a kind of lifetime achievement badge, a way to certify seriousness.
The subtext is also practical. Mould’s emotional palette can overlap with blues without adopting its stylistic rules or its cultural claims. He’s protecting his narrative from being retrofitted into a genre he didn’t primarily serve, and he’s protecting the genre from being used as a catch-all synonym for suffering. It’s an unusually careful stance in rock: acknowledging the source without trying to wear it.
Quote Details
| Topic | Music |
|---|
More Quotes by Bob
Add to List



