"The cause is hidden; the effect is visible to all"
About this Quote
Ovid is pointing at a psychological truth that doubles as political cover: what most people treat as reality is just the part that makes it to the surface. The visible “effect” is the scandal, the punishment, the public emotion, the mythic transformation; the “cause” stays buried in bedrooms, in divine motives, in private grudges, in the opaque machinery of power. It’s a neat little line that feels like common sense until you notice how aggressively it shifts authority away from the crowd. Everyone can see what happened. Almost no one can prove why.
That asymmetry is central to Ovid’s world. In the Metamorphoses, bodies change in full view, but the instigating forces are often a cocktail of desire, humiliation, and caprice that only the gods or the narrator can fully trace. In imperial Rome, it’s also a survival tactic. Ovid knew firsthand that “causes” are dangerous things to name. Augustus exiled him for the famously evasive “carmen et error” (a poem and a mistake), a phrase that practically performs the quote: the consequence is public, the rationale left strategically foggy. Power prefers it that way.
The line works because it flatters the audience’s certainty while quietly indicting it. People gather around effects like jurors around evidence, then retrofit motives to satisfy moral appetite. Ovid, ever the poet of appearances, reminds us that what looks self-evident is often just what’s been allowed to be seen.
That asymmetry is central to Ovid’s world. In the Metamorphoses, bodies change in full view, but the instigating forces are often a cocktail of desire, humiliation, and caprice that only the gods or the narrator can fully trace. In imperial Rome, it’s also a survival tactic. Ovid knew firsthand that “causes” are dangerous things to name. Augustus exiled him for the famously evasive “carmen et error” (a poem and a mistake), a phrase that practically performs the quote: the consequence is public, the rationale left strategically foggy. Power prefers it that way.
The line works because it flatters the audience’s certainty while quietly indicting it. People gather around effects like jurors around evidence, then retrofit motives to satisfy moral appetite. Ovid, ever the poet of appearances, reminds us that what looks self-evident is often just what’s been allowed to be seen.
Quote Details
| Topic | Wisdom |
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