"The comic is the perception of the opposite; humor is the feeling of it"
About this Quote
Eco draws a clean, almost surgical line between a mental trick and a bodily reaction. "The comic" is cognition: the snap recognition that something has inverted itself, that the world has violated its own rules. A pompous official slips on a banana peel; authority becomes clumsiness. That reversal is legible, even to someone who never laughs. "Humor", though, is affect: the heat that rises after the click, the pleasure (or discomfort) of realizing the reversal has landed.
The distinction matters because it sneaks ethics into aesthetics. You can perceive the opposite and still refuse the feeling. That refusal might be empathy (the fall hurts), politics (the target is already crushed), or sheer exhaustion with familiar gags. Eco, the semiotician-novelist, is really talking about how jokes function as signs: the comic is the structure, humor is the reception. Same setup, different audience, different outcome.
There is also an implicit warning here about modern media's confusion between recognition and response. Viral comedy often relies on easy opposites - hypocrisy exposed, status punctured - and counts on a reflexive laugh as proof of shared values. Eco reminds us that recognition doesn't guarantee communion. You can "get" the joke and still find it cruel, empty, or too revealing.
In Eco's broader context - a writer obsessed with codes, interpretation, and the way culture manufactures meaning - this reads like a defense of nuance. Laughter isn't just intelligence; it's allegiance, mood, and sometimes complicity.
The distinction matters because it sneaks ethics into aesthetics. You can perceive the opposite and still refuse the feeling. That refusal might be empathy (the fall hurts), politics (the target is already crushed), or sheer exhaustion with familiar gags. Eco, the semiotician-novelist, is really talking about how jokes function as signs: the comic is the structure, humor is the reception. Same setup, different audience, different outcome.
There is also an implicit warning here about modern media's confusion between recognition and response. Viral comedy often relies on easy opposites - hypocrisy exposed, status punctured - and counts on a reflexive laugh as proof of shared values. Eco reminds us that recognition doesn't guarantee communion. You can "get" the joke and still find it cruel, empty, or too revealing.
In Eco's broader context - a writer obsessed with codes, interpretation, and the way culture manufactures meaning - this reads like a defense of nuance. Laughter isn't just intelligence; it's allegiance, mood, and sometimes complicity.
Quote Details
| Topic | Deep |
|---|---|
| Source | Help us find the source |
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