"The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?"

Neil Jordan's quote about "The Company of Wolves" supplies interesting insight into the movie's unique and genre-defying nature. Jordan, the film's director, emphasizes the problem in categorizing the motion picture, recommending that it defies standard limits. This declaration can be unpacked in several methods.

Firstly, by declaring that the movie is not strictly a scary movie, Jordan challenges audiences to look beyond conventional scary aspects. While "The Company of Wolves" does contain spooky and disturbing elements, it is clear that the film aims to stimulate more than just fear or suspense. The scary components may serve a higher narrative function, braiding with the psychological and symbolic elements to supply a more layered experience.

Likewise, Jordan's assertion that it is not a dream film is informing. Although the film includes fantastical elements, such as legendary wolves and a dream-like setting, it transcends the normal dream story that is frequently escapist or otherworldly. Rather, it uses dream as a medium to check out deeper themes, such as the transition from childhood to their adult years, the expedition of sexuality, and the conflict of primal worries.

Additionally, the claim that it is not a kids's film signals that "The Company of Wolves" takes on mature themes that require a more complex understanding, potentially making it inappropriate for younger audiences in spite of its roots in fairy tale themes. The film's usage of fairy tale aspects serves to overturn familiar stories into more thought-provoking or disturbing allegories.

In summary, Jordan's quote shows the movie's diverse nature, suggesting that "The Company of Wolves" occupies a distinct space at the crossway of horror, dream, and allegory. Its resistance to easy categorization speaks to its ambitious narrative and thematic richness, welcoming audiences to engage with it on numerous levels. By defying conventional category restrictions, the movie welcomes a more thoughtful assessment of the stories and signs it presents.