"The Craft was what it was. People who respond to that movie respond to it really strongly"
About this Quote
There’s a shrug built into Robin Tunney’s line, and that shrug is doing a lot of work. “The Craft was what it was” sounds like modesty, even dismissal, but it’s also a quiet refusal to over-intellectualize a film that became bigger than its makers. She’s naming a familiar phenomenon in pop culture: a project arrives as a mid-budget teen movie, then slips its leash and turns into a personal talisman for the people who needed it.
The second sentence flips the energy. Tunney isn’t talking about “fans” in the bland, Comic-Con sense. “Respond…really strongly” is the language of identification, not consumption. The subtext is that The Craft didn’t just entertain; it imprinted. It hit at a volatile intersection of adolescent power, social exile, and girlhood rage - themes that mainstream culture often packages as cautionary tales or catty drama. The Craft let them feel mythic. For viewers navigating outsiderhood, friendship-as-tribe, or the fantasy of finally being unafraid, “witchcraft” becomes a metaphor you can wear.
It’s also an actor’s perspective on cult afterlives: you don’t control which roles become mirrors for audiences, and you can’t manufacture the intensity of that bond. Tunney’s careful phrasing respects the intimacy of the attachment while acknowledging the weirdness of it. The film is fixed in time; the audience’s need for it keeps evolving. That’s why the reaction stays “really strong.”
The second sentence flips the energy. Tunney isn’t talking about “fans” in the bland, Comic-Con sense. “Respond…really strongly” is the language of identification, not consumption. The subtext is that The Craft didn’t just entertain; it imprinted. It hit at a volatile intersection of adolescent power, social exile, and girlhood rage - themes that mainstream culture often packages as cautionary tales or catty drama. The Craft let them feel mythic. For viewers navigating outsiderhood, friendship-as-tribe, or the fantasy of finally being unafraid, “witchcraft” becomes a metaphor you can wear.
It’s also an actor’s perspective on cult afterlives: you don’t control which roles become mirrors for audiences, and you can’t manufacture the intensity of that bond. Tunney’s careful phrasing respects the intimacy of the attachment while acknowledging the weirdness of it. The film is fixed in time; the audience’s need for it keeps evolving. That’s why the reaction stays “really strong.”
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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