"The crossover wasn't happening. TV actors were TV actors, and film and stage actors were a whole different thing. And now there's just a lot of crossover"
About this Quote
Lahti is tracing a cultural hierarchy as it collapses in real time. The blunt repetition - "TV actors were TV actors" - isn’t just emphasis; it’s a snapshot of an old caste system where television was treated like the minor leagues. For much of the late 20th century, film and stage carried the aura of seriousness, craft, and prestige, while TV implied speed, sameness, and commercial compromise. Saying "a whole different thing" captures how rigid and unspoken those boundaries were: it wasn’t merely about medium, but about legitimacy.
The first line, "The crossover wasn't happening", lands like a report from inside the industry, not a theory about it. Lahti’s intent is practical and personal: she’s describing a career reality actors had to navigate, where choosing television could brand you, limiting access to "better" rooms, better scripts, and better pay. Underneath is the quiet sting of being sorted.
Then the turn: "And now there's just a lot of crossover". The casual "just" signals how normalized the shift has become, as if the old rules now look faintly ridiculous. Context does the heavy lifting: prestige cable, streaming, auteur showrunners, shorter seasons, and movie stars chasing character depth on TV. Lahti’s observation doubles as a verdict on gatekeeping itself - the work got harder to dismiss, and the industry had to adjust its snobbery to match its economics.
The first line, "The crossover wasn't happening", lands like a report from inside the industry, not a theory about it. Lahti’s intent is practical and personal: she’s describing a career reality actors had to navigate, where choosing television could brand you, limiting access to "better" rooms, better scripts, and better pay. Underneath is the quiet sting of being sorted.
Then the turn: "And now there's just a lot of crossover". The casual "just" signals how normalized the shift has become, as if the old rules now look faintly ridiculous. Context does the heavy lifting: prestige cable, streaming, auteur showrunners, shorter seasons, and movie stars chasing character depth on TV. Lahti’s observation doubles as a verdict on gatekeeping itself - the work got harder to dismiss, and the industry had to adjust its snobbery to match its economics.
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| Topic | Movie |
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