"The deeper I get into my life as a musician, I'm discovering that it becomes less and less about other people, and more about what I want to do. And that's a good place to be"
About this Quote
There is a quiet provocation in Corgan framing artistic maturity as a narrowing of the social field. Rock culture loves the myth of communion: the band as tribe, the crowd as church, the artist as lightning rod for everyone else's feelings. Corgan cuts against that script. He’s arguing that the longer you stay in the game, the less you can afford to be governed by audience expectation, peer validation, label pressure, even the soft tyranny of being “relatable.” The deeper he gets, the more he’s pruning.
The phrasing matters. “Less and less” signals repetition, the slow grind of learning the same lesson in different forms: every era brings a new committee of other people. “Other people” is deliberately broad - critics, fans, collaborators, the industry, the internet’s permanent jury - all blurred into one force that tries to steer the work. Against that, “what I want to do” lands with blunt clarity. It’s not “what the songs need” or “what the art demands,” the usual noble framing. It’s appetite. Will. Choice. That’s a rock-star word, and it’s also a grown-up one.
Contextually, it fits an artist who has been both canonized and endlessly litigated in public. Corgan’s career has trained him to expect projection: fans want their adolescence preserved; critics want consistency; nostalgia wants compliance. Calling self-direction “a good place to be” reads like relief, but also like a warning. If you’re still making music decades in, survival isn’t staying loved. It’s reclaiming authorship, even if that means disappointing the people who think the work belongs to them.
The phrasing matters. “Less and less” signals repetition, the slow grind of learning the same lesson in different forms: every era brings a new committee of other people. “Other people” is deliberately broad - critics, fans, collaborators, the industry, the internet’s permanent jury - all blurred into one force that tries to steer the work. Against that, “what I want to do” lands with blunt clarity. It’s not “what the songs need” or “what the art demands,” the usual noble framing. It’s appetite. Will. Choice. That’s a rock-star word, and it’s also a grown-up one.
Contextually, it fits an artist who has been both canonized and endlessly litigated in public. Corgan’s career has trained him to expect projection: fans want their adolescence preserved; critics want consistency; nostalgia wants compliance. Calling self-direction “a good place to be” reads like relief, but also like a warning. If you’re still making music decades in, survival isn’t staying loved. It’s reclaiming authorship, even if that means disappointing the people who think the work belongs to them.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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