"The director, of course, was Bob Fosse. But again, I worked with my father to prepare for the role"
About this Quote
Minnelli’s subtext is inheritance, and not the sentimental kind. As Judy Garland’s daughter, she lived inside a culture that treated her lineage as both a coronation and a trap. By emphasizing work with her father, she reframes nepotism as apprenticeship. It’s not “I had access,” it’s “I did the homework.” That matters in a star system that often reduces women to charisma and luck, especially when they’re born famous.
There’s also a strategic humanizing move: Fosse represents the high-voltage, externally visible machinery of performance - precision, control, erotic geometry. “My father” shifts the register to something domestic, internal, almost old-fashioned: discipline learned in conversation, in rehearsal rooms that aren’t glamorous. She’s claiming artistic agency in a world eager to attribute her success to the men around her, by choosing which man actually shaped the work.
Quote Details
| Topic | Father |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Minnelli, Liza. (2026, January 16). The director, of course, was Bob Fosse. But again, I worked with my father to prepare for the role. FixQuotes. https://fixquotes.com/quotes/the-director-of-course-was-bob-fosse-but-again-i-93063/
Chicago Style
Minnelli, Liza. "The director, of course, was Bob Fosse. But again, I worked with my father to prepare for the role." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/the-director-of-course-was-bob-fosse-but-again-i-93063/.
MLA Style (9th ed.)
"The director, of course, was Bob Fosse. But again, I worked with my father to prepare for the role." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/the-director-of-course-was-bob-fosse-but-again-i-93063/. Accessed 12 Feb. 2026.




