"The dissolution of the nation destroys the national religion, and dethrones the national deity"
About this Quote
Smith is playing with a dangerous equivalence: if a nation is held together by shared myths, then breaking the nation doesn’t just change borders, it collapses the altar. The line has the cold snap of anthropology in a clerical key. It isn’t piety; it’s a structural claim about how belief works when it’s braided into institutions, rituals, and collective identity.
“The national religion” and “national deity” read less like theology than like social technology. Smith, writing in the late 19th century as modern biblical criticism and comparative religion were eroding older certainties, is intent on shifting the argument away from whether a god is true and toward what a god does. In his world, divinity is not merely worshipped; it is authorized by the group. When the group dissolves, the authorization evaporates. “Dethrones” is a deliberately political verb: gods here rule because a people constitutes them as sovereign.
The subtext is bracingly anti-romantic about faith. It suggests that even “religion” is, at least partly, civic glue: an organizing story that binds strangers into a moral community. That makes national collapse a spiritual event, not only an administrative one. You can hear the Victorian anxiety under the cool phrasing: industrial modernity, empire, and scientific method are remaking the public, and with that remaking comes the unsettling possibility that deities are portable, replaceable, or even contingent.
Read now, it lands as a warning about civil religion in any era: topple the shared story, and you don’t just lose a government - you lose the sacred frame that made the government feel inevitable.
“The national religion” and “national deity” read less like theology than like social technology. Smith, writing in the late 19th century as modern biblical criticism and comparative religion were eroding older certainties, is intent on shifting the argument away from whether a god is true and toward what a god does. In his world, divinity is not merely worshipped; it is authorized by the group. When the group dissolves, the authorization evaporates. “Dethrones” is a deliberately political verb: gods here rule because a people constitutes them as sovereign.
The subtext is bracingly anti-romantic about faith. It suggests that even “religion” is, at least partly, civic glue: an organizing story that binds strangers into a moral community. That makes national collapse a spiritual event, not only an administrative one. You can hear the Victorian anxiety under the cool phrasing: industrial modernity, empire, and scientific method are remaking the public, and with that remaking comes the unsettling possibility that deities are portable, replaceable, or even contingent.
Read now, it lands as a warning about civil religion in any era: topple the shared story, and you don’t just lose a government - you lose the sacred frame that made the government feel inevitable.
Quote Details
| Topic | Faith |
|---|---|
| Source | Help us find the source |
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