"The DVD does make it a little easier for myself to trim things that are otherwise very difficult to let loose of - knowing that they'll make it on the DVD"
About this Quote
Roach is admitting to a kind of emotional accounting that happens in every editing room: you cut with your heart, but you also cut with a safety net. The line is disarmingly practical, almost sheepish, yet it opens onto a bigger truth about modern filmmaking: “director’s intent” is no longer a single, sacred object. It’s a bundle of versions, negotiated across formats, marketing plans, and fan appetites.
The specific intent is self-protective and craft-minded. Roach frames the DVD as permission to be ruthless. If a joke, beat, or character moment is “otherwise very difficult to let loose of,” it’s not because it’s objectively great - it’s because it’s labor, memory, sunk cost. Knowing it can live as an extra turns the cut from a burial into a relocation. The editor’s knife feels less like betrayal and more like curation.
The subtext is about control in an industry built on compromise. The theatrical cut has to move, test well, hit time, satisfy exhibitors. The DVD (and, today, the streaming “extended cut”) becomes a parallel stage where a director can smuggle back texture without jeopardizing pace. That changes the psychology of decisions: you’re not choosing between art and commerce so much as choosing where each ingredient belongs.
Context matters: Roach comes from mainstream comedy and studio filmmaking, where rhythm is everything and a few seconds can kill a laugh. His remark captures a late-2000s media moment when DVDs weren’t just containers; they were afterlives, turning deleted scenes into both consolation prize and brand extension.
The specific intent is self-protective and craft-minded. Roach frames the DVD as permission to be ruthless. If a joke, beat, or character moment is “otherwise very difficult to let loose of,” it’s not because it’s objectively great - it’s because it’s labor, memory, sunk cost. Knowing it can live as an extra turns the cut from a burial into a relocation. The editor’s knife feels less like betrayal and more like curation.
The subtext is about control in an industry built on compromise. The theatrical cut has to move, test well, hit time, satisfy exhibitors. The DVD (and, today, the streaming “extended cut”) becomes a parallel stage where a director can smuggle back texture without jeopardizing pace. That changes the psychology of decisions: you’re not choosing between art and commerce so much as choosing where each ingredient belongs.
Context matters: Roach comes from mainstream comedy and studio filmmaking, where rhythm is everything and a few seconds can kill a laugh. His remark captures a late-2000s media moment when DVDs weren’t just containers; they were afterlives, turning deleted scenes into both consolation prize and brand extension.
Quote Details
| Topic | Movie |
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