"The English may not always be the best writers in the world, but they are incomparably the best dull writers"
About this Quote
Chandler lands the punch with a compliment that curdles into an insult, then somehow stays oddly affectionate. Calling the English "incomparably the best dull writers" isn’t a cheap national jab; it’s a précis of a whole literary ecology: a culture that can turn tedium into a prestigious craft, and sell it as seriousness. The line works because it reverses the normal hierarchy. Usually, dull is failure. Chandler treats it like a specialized excellence - a kind of disciplined droning that signals authority, education, and good manners.
The subtext is also a defense of his own corner of letters. Chandler, the American stylist who made velocity and voice into moral principles, is taking aim at the gatekeepers who equated "important" with "respectable" and "respectable" with slow. British prose, in his caricature, can launder banality into taste: long sentences, careful qualification, a refusal to entertain too openly. Dullness becomes a badge of class. If it’s hard work to read, the thinking must be hard, too.
Context matters: Chandler wrote in a moment when crime fiction and other "low" genres were routinely patronized, even as they captured modern life with sharper tools than many canonical novels. His quip is less anti-English than anti-pretension. It’s a reminder that boredom can be an aesthetic posture - and that a writer with real snap can see the posture for what it is, then skewer it in one clean line.
The subtext is also a defense of his own corner of letters. Chandler, the American stylist who made velocity and voice into moral principles, is taking aim at the gatekeepers who equated "important" with "respectable" and "respectable" with slow. British prose, in his caricature, can launder banality into taste: long sentences, careful qualification, a refusal to entertain too openly. Dullness becomes a badge of class. If it’s hard work to read, the thinking must be hard, too.
Context matters: Chandler wrote in a moment when crime fiction and other "low" genres were routinely patronized, even as they captured modern life with sharper tools than many canonical novels. His quip is less anti-English than anti-pretension. It’s a reminder that boredom can be an aesthetic posture - and that a writer with real snap can see the posture for what it is, then skewer it in one clean line.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Raymond Chandler, "The Simple Art of Murder" (essay, 1944). |
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