"The first band I was in, I think was called The Strangers. I got the sack because I was too small!"
About this Quote
It lands like a throwaway punchline, but it quietly captures how rock mythology is built: not from destiny, but from dumb, human logistics. Noel Redding frames his origin story with the flattest possible anti-hero energy. The first band is hazy ("I think"), the name is generic ("The Strangers"), and the reason he got kicked out is almost insultingly literal: he was "too small". No grand feud, no artistic differences, just the petty physics of a youth scene where looking the part can matter more than playing it.
The intent is self-deflation, and that matters because Redding is talking from the long shadow of Jimi Hendrix. When your legacy risks being reduced to "the other guy in the Experience", humor becomes a form of authorship. He refuses the polished biographical arc and instead shows the industry (and its local, pre-industry version) as a sorting mechanism that rewards surface signals. The joke is on the idea that talent inevitably rises; sometimes it just gets rejected for being the wrong shape.
The subtext is also a wink at rock's obsession with bigness: big sound, big hair, big swagger. "Too small" reads as literal and metaphorical, a reminder that masculinity and performance are part of the audition. Coming from a bassist who helped anchor some of the most explosive music of the 60s, the line turns into a sly inversion: the kid dismissed for not taking up enough space ends up underpinning a revolution.
The intent is self-deflation, and that matters because Redding is talking from the long shadow of Jimi Hendrix. When your legacy risks being reduced to "the other guy in the Experience", humor becomes a form of authorship. He refuses the polished biographical arc and instead shows the industry (and its local, pre-industry version) as a sorting mechanism that rewards surface signals. The joke is on the idea that talent inevitably rises; sometimes it just gets rejected for being the wrong shape.
The subtext is also a wink at rock's obsession with bigness: big sound, big hair, big swagger. "Too small" reads as literal and metaphorical, a reminder that masculinity and performance are part of the audition. Coming from a bassist who helped anchor some of the most explosive music of the 60s, the line turns into a sly inversion: the kid dismissed for not taking up enough space ends up underpinning a revolution.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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