"The first comedy screenplay that I wrote was Animal House and I always thought I could and should be a director but no one was about to give me that opportunity on Animal House"
About this Quote
Ramis slips a whole career lesson into an offhand, almost shrugging sentence: the gap between what you know you can do and what the industry is willing to let you do. The flex is subtle. He’s not name-dropping Animal House to brag; he’s using it as evidence that he was there at the creation of a cultural earthquake, yet still treated as unproven in the only role that really confers authority.
The line’s engine is that “could and should” combo. “Could” is craft and competence. “Should” is destiny, or at least self-conception. In Hollywood, those don’t matter as much as risk management. “No one was about to give me that opportunity” is passive voice with a purpose: the facelessness of gatekeeping. It’s not one villain; it’s a system where directing is entrusted to the already-anointed, especially on a high-stakes comedy that could easily be dismissed as disposable.
Context sharpens the irony. Animal House helped codify modern American comedy, but comedy itself is often treated as less “serious” and therefore too important to gamble on with a first-time director. Ramis is pointing at the paradox: the genre that prints money can still be policed like a boys’ club. The subtext is ambition without bitterness. He’s describing the moment before the pivot, when you learn that wanting the next rung isn’t enough; you have to route around permission, build leverage, and eventually direct because the machine won’t offer it on your terms.
The line’s engine is that “could and should” combo. “Could” is craft and competence. “Should” is destiny, or at least self-conception. In Hollywood, those don’t matter as much as risk management. “No one was about to give me that opportunity” is passive voice with a purpose: the facelessness of gatekeeping. It’s not one villain; it’s a system where directing is entrusted to the already-anointed, especially on a high-stakes comedy that could easily be dismissed as disposable.
Context sharpens the irony. Animal House helped codify modern American comedy, but comedy itself is often treated as less “serious” and therefore too important to gamble on with a first-time director. Ramis is pointing at the paradox: the genre that prints money can still be policed like a boys’ club. The subtext is ambition without bitterness. He’s describing the moment before the pivot, when you learn that wanting the next rung isn’t enough; you have to route around permission, build leverage, and eventually direct because the machine won’t offer it on your terms.
Quote Details
| Topic | Career |
|---|
More Quotes by Harold
Add to List




