"The first play I saw was a Samuel Beckett play which was great"
About this Quote
Name-dropping Beckett as your origin story is either a flex or a confession, and with Val Kilmer it’s probably both. “The first play I saw” frames theater as a foundational imprint, the moment the needle drops on a life in performance. But he doesn’t pick some gateway classic with an obvious moral payload; he picks Samuel Beckett, patron saint of the awkward pause, the existential deadpan, the art that refuses to reassure you. That choice smuggles in a claim about taste: I didn’t come to acting through comfort or crowd-pleasing narrative. I started with austerity.
The line’s charm is how bluntly it dodges elaboration. “Which was great” is almost aggressively plain, a little kid’s verdict attached to high-modernist despair. That mismatch is the subtext: even the most rarefied, “difficult” work can land viscerally, before you have the vocabulary to intellectualize it. Kilmer’s delivery (as a persona) has always carried that mix of swagger and sincerity, and here he uses understatement to signal both. He’s not unpacking Beckett; he’s letting Beckett function as a kind of shorthand for rigor.
Context matters, too. Kilmer emerged from a moment when American acting was split between star machinery and serious craft, and he straddled both. Invoking Beckett quietly aligns him with the craft side: theater-first, discipline-first, willing to sit in uncertainty. It’s a minimalist anecdote that doubles as a thesis about the kind of artist he wants you to believe he is.
The line’s charm is how bluntly it dodges elaboration. “Which was great” is almost aggressively plain, a little kid’s verdict attached to high-modernist despair. That mismatch is the subtext: even the most rarefied, “difficult” work can land viscerally, before you have the vocabulary to intellectualize it. Kilmer’s delivery (as a persona) has always carried that mix of swagger and sincerity, and here he uses understatement to signal both. He’s not unpacking Beckett; he’s letting Beckett function as a kind of shorthand for rigor.
Context matters, too. Kilmer emerged from a moment when American acting was split between star machinery and serious craft, and he straddled both. Invoking Beckett quietly aligns him with the craft side: theater-first, discipline-first, willing to sit in uncertainty. It’s a minimalist anecdote that doubles as a thesis about the kind of artist he wants you to believe he is.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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