"The first prerogative of an artist in any medium is to make a fool of himself"
About this Quote
Art starts where dignity ends. Pauline Kael’s line lands with the snap of someone who spent a career watching talented people try to smuggle vanity past the audience under the disguise of “seriousness.” Calling it a “prerogative” is the tell: she’s not describing an unfortunate side effect of making art, she’s granting a right - even a duty - to risk embarrassment.
Kael knew that film (and criticism about film) is built on exposure. The actor’s face enlarged to mythic size; the director’s taste and judgment turned into public evidence; the writer’s private obsessions made legible. To create anything that isn’t prefab, an artist has to attempt what might fail publicly and ungracefully. That’s the “fool” part: trying a note you can’t quite hit yet, pushing a scene past good taste, trusting an odd instinct before it’s been validated by consensus. Safe choices protect your reputation; they don’t produce revelation.
There’s also a critic’s dagger tucked into the generosity. Kael is implicitly scorning artists who confuse polish with courage, who treat their persona as the artwork. If you won’t look ridiculous, you’re probably not taking the medium seriously - you’re taking yourself seriously. In Kael’s ecosystem of 20th-century American culture, where mass entertainment and high art constantly wrestled for legitimacy, the quote champions a brash, anti-precious creativity: the kind that gambles, sometimes overreaches, and occasionally changes what the rest of us think movies (or paintings or songs) are allowed to do.
Kael knew that film (and criticism about film) is built on exposure. The actor’s face enlarged to mythic size; the director’s taste and judgment turned into public evidence; the writer’s private obsessions made legible. To create anything that isn’t prefab, an artist has to attempt what might fail publicly and ungracefully. That’s the “fool” part: trying a note you can’t quite hit yet, pushing a scene past good taste, trusting an odd instinct before it’s been validated by consensus. Safe choices protect your reputation; they don’t produce revelation.
There’s also a critic’s dagger tucked into the generosity. Kael is implicitly scorning artists who confuse polish with courage, who treat their persona as the artwork. If you won’t look ridiculous, you’re probably not taking the medium seriously - you’re taking yourself seriously. In Kael’s ecosystem of 20th-century American culture, where mass entertainment and high art constantly wrestled for legitimacy, the quote champions a brash, anti-precious creativity: the kind that gambles, sometimes overreaches, and occasionally changes what the rest of us think movies (or paintings or songs) are allowed to do.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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