"The first song that I wrote was when I was with The Del Rios. I was like 14 years old but I was always putting my thoughts down on paper even before then because it was like an escape - a way of unleashing all the stuff"
About this Quote
Bell’s memory lands with the casual certainty of someone describing a survival skill, not a hobby. Writing at 14 “with The Del Rios” isn’t presented as a cute origin story; it’s a timestamp. He’s locating the moment when private coping became public craft, when a kid’s notebook started behaving like a career.
The key word is “escape,” but Bell doesn’t romanticize it. Escape here isn’t running away from responsibility; it’s making room to breathe. The subtext is that teenage life already had “stuff” pressing in - family pressure, poverty, race, desire, boredom, the whole dense weather of growing up - and songwriting offered a controlled outlet. “Unleashing” signals intensity, even danger: these thoughts need somewhere to go, or they’ll turn inward.
That’s also the cultural logic of classic soul: the personal as a disciplined performance. Bell came up in a tradition where emotion wasn’t just confessed, it was engineered into melody and phrasing so it could travel. The quote quietly resists the myth that great songs start with inspiration. He frames it as practice (“always putting my thoughts down”) and necessity (escape), a reminder that many Black American artists entered music through self-management long before the industry arrived to monetize it.
Even the unfinished ending - “all the stuff” - matters. He keeps it vague, letting listeners project their own private pile of feelings. That’s songwriting logic in miniature: specificity in method, openness in meaning.
The key word is “escape,” but Bell doesn’t romanticize it. Escape here isn’t running away from responsibility; it’s making room to breathe. The subtext is that teenage life already had “stuff” pressing in - family pressure, poverty, race, desire, boredom, the whole dense weather of growing up - and songwriting offered a controlled outlet. “Unleashing” signals intensity, even danger: these thoughts need somewhere to go, or they’ll turn inward.
That’s also the cultural logic of classic soul: the personal as a disciplined performance. Bell came up in a tradition where emotion wasn’t just confessed, it was engineered into melody and phrasing so it could travel. The quote quietly resists the myth that great songs start with inspiration. He frames it as practice (“always putting my thoughts down”) and necessity (escape), a reminder that many Black American artists entered music through self-management long before the industry arrived to monetize it.
Even the unfinished ending - “all the stuff” - matters. He keeps it vague, letting listeners project their own private pile of feelings. That’s songwriting logic in miniature: specificity in method, openness in meaning.
Quote Details
| Topic | Music |
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