"The first stage had been all over before the doctors even knew they were dealing with a new sickness; it was the direct reaction to the bombardment of the body, at the moment when the bomb went off, by neutrons, beta particles, and gamma rays"
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Hersey’s genius here is the flat, procedural chill: apocalypse rendered as case history. “The first stage” sounds like a tidy medical chapter heading, the kind you’d find in a textbook, not in the aftermath of a weapon that rewrote the human calendar. That bureaucratic cadence is the point. By the time “the doctors even knew,” the crucial event has already happened inside the body, invisibly, irrevocably. Knowledge arrives late; damage arrives on time.
The sentence is engineered to make agency vanish. No bomber, no target, no politics - just “the bombardment of the body,” an almost meteorological phrasing, as if radiation were bad weather. Hersey isn’t excusing anyone; he’s exposing how modern violence hides behind technical description. Neutrons, beta particles, gamma rays: the language of laboratories and authority, deployed like a spell that turns suffering into data. The clinical list also mimics the weapon itself: discrete particles, cumulative effects, an assault that can’t be fought face-to-face.
Context matters: Hersey wrote in the shadow of Hiroshima, when the public was still being trained to think of atomic bombs in terms of strategy and “endings” (ending the war) rather than beginnings (beginning of long illness). His intent is to relocate the story from the abstract “blast” to the slow-motion sequel that follows, where medicine is outpaced by physics. The subtext is bleakly modern: catastrophe now happens at speeds and scales that make even expertise feel like an afterthought, and the body becomes the first witness, before language can catch up.
The sentence is engineered to make agency vanish. No bomber, no target, no politics - just “the bombardment of the body,” an almost meteorological phrasing, as if radiation were bad weather. Hersey isn’t excusing anyone; he’s exposing how modern violence hides behind technical description. Neutrons, beta particles, gamma rays: the language of laboratories and authority, deployed like a spell that turns suffering into data. The clinical list also mimics the weapon itself: discrete particles, cumulative effects, an assault that can’t be fought face-to-face.
Context matters: Hersey wrote in the shadow of Hiroshima, when the public was still being trained to think of atomic bombs in terms of strategy and “endings” (ending the war) rather than beginnings (beginning of long illness). His intent is to relocate the story from the abstract “blast” to the slow-motion sequel that follows, where medicine is outpaced by physics. The subtext is bleakly modern: catastrophe now happens at speeds and scales that make even expertise feel like an afterthought, and the body becomes the first witness, before language can catch up.
Quote Details
| Topic | War |
|---|---|
| Source | Hersey, John. Hiroshima. The New Yorker, Aug 31, 1946; book: Hiroshima (Alfred A. Knopf, 1946). Passage describes acute radiation effects (neutrons, beta particles, gamma rays). |
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