"The great thing about rock and roll is that someone like me can be a star"
About this Quote
Rock and roll, in Elton John's telling, isn’t just a sound; it’s a loophole in the old social order. The line lands because it’s both a celebration and a wink: “someone like me” carries a whole suitcase of implication, and he doesn’t unpack it because he doesn’t have to. The audience supplies it. He means the misfit, the outsider, the kid too flamboyant, too sensitive, too odd for the polite pathways of respectability. Rock becomes the stage where those supposed liabilities convert into currency.
The intent is sharply democratic but not naive. He’s not claiming the system is fair; he’s praising a genre that briefly made unfairness negotiable. Rock and roll offered a meritocracy of nerve: charisma, hooks, audacity, and the willingness to be seen. That’s why the phrasing matters. “The great thing” signals gratitude, but “can be a star” is almost astonished, as if fame is less destiny than an unlikely permission slip.
In context, it’s also self-mythmaking. Elton John’s career is built on spectacle, piano virtuosity, and a public persona that tested mainstream comfort long before pop culture learned to market “authenticity.” The quote frames rock not as rebellion for its own sake, but as a cultural machine that turns difference into mass connection. Subtext: the establishment didn’t pick him; the crowd did. That’s the thrill he’s still naming - and the quiet reminder that genres, at their best, are social technologies for letting new kinds of people take up space.
The intent is sharply democratic but not naive. He’s not claiming the system is fair; he’s praising a genre that briefly made unfairness negotiable. Rock and roll offered a meritocracy of nerve: charisma, hooks, audacity, and the willingness to be seen. That’s why the phrasing matters. “The great thing” signals gratitude, but “can be a star” is almost astonished, as if fame is less destiny than an unlikely permission slip.
In context, it’s also self-mythmaking. Elton John’s career is built on spectacle, piano virtuosity, and a public persona that tested mainstream comfort long before pop culture learned to market “authenticity.” The quote frames rock not as rebellion for its own sake, but as a cultural machine that turns difference into mass connection. Subtext: the establishment didn’t pick him; the crowd did. That’s the thrill he’s still naming - and the quiet reminder that genres, at their best, are social technologies for letting new kinds of people take up space.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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