"The home viewing experience is slightly different and there's room for these kinds of extra excursions"
About this Quote
Reitman’s line has the mild, practical cheer of someone who spent a career thinking about audiences as habitats. “Home viewing” isn’t treated as a lesser substitute for the theater; it’s a different ecosystem with different rules. The key phrase is “slightly different” - a producer-director’s diplomatic understatement that hides a bigger concession: once a movie leaves the controlled ritual of the cinema, it becomes negotiable. You can pause it, snack through it, scroll past it, rewatch a scene, or never finish. That loss of captive attention sounds like a threat, but Reitman reframes it as opportunity.
“Room” is the strategic word. It suggests filmmakers can build annexes onto the main text: deleted scenes, alternate takes, director commentary, featurettes, even tonal detours that would feel indulgent on a big screen. “Extra excursions” casts those add-ons as travel - optional side quests for viewers who want more, not homework assigned by the auteur. The subtext is commerce and control: if the theatrical cut must be streamlined to play for strangers in the dark, the home version can be both a reward for fans and a second bite of the revenue apple, packaged as intimacy and access.
Context matters here: Reitman came up in a studio era built on opening weekends and mass appeal, then lived through VHS/DVD and the rise of bonus-content culture. His comment quietly blesses a shift in authorship: the movie is no longer a single, definitive object, but a platform with expandable edges.
“Room” is the strategic word. It suggests filmmakers can build annexes onto the main text: deleted scenes, alternate takes, director commentary, featurettes, even tonal detours that would feel indulgent on a big screen. “Extra excursions” casts those add-ons as travel - optional side quests for viewers who want more, not homework assigned by the auteur. The subtext is commerce and control: if the theatrical cut must be streamlined to play for strangers in the dark, the home version can be both a reward for fans and a second bite of the revenue apple, packaged as intimacy and access.
Context matters here: Reitman came up in a studio era built on opening weekends and mass appeal, then lived through VHS/DVD and the rise of bonus-content culture. His comment quietly blesses a shift in authorship: the movie is no longer a single, definitive object, but a platform with expandable edges.
Quote Details
| Topic | Movie |
|---|
More Quotes by Ivan
Add to List


