"The independent girl is a person before whose wrath only the most rash dare stand, and, they, it must be confessed, with much fear and trembling"
About this Quote
The line lands like a genteel teacup placed down a little too hard: polite diction carrying a warning. Lou Henry Hoover frames the "independent girl" not as a novelty or a scold, but as a force with consequences. "Wrath" is a charged word in a period that preferred women be serene, accommodating, and privately disappointed. Giving a young woman wrath grants her moral weather: she can storm, and others have to plan around it.
The phrasing is doing double duty. On the surface, it's praise disguised as a joke at men's expense: only "the most rash" would challenge her, and even they do it shaking. Underneath, it's an assertion that independence isn't merely an attitude; it's backed by the capacity to retaliate, to refuse, to withhold approval or cooperation. Hoover treats female autonomy as something that changes the social physics of a room.
Context matters. As First Lady in the interwar years, Hoover occupied a role that demanded charm, restraint, and constant vigilance about appearing "too political". This sort of sentence lets her endorse women's agency while staying within acceptable registers: humor, decorum, and a whiff of self-deprecation. It's a tactical rhetorical move, smuggling respect for women’s power into a culture that often only recognized that power when it looked like threat. The trembling is the point: independence is not decorative; it rewrites who gets to be afraid.
The phrasing is doing double duty. On the surface, it's praise disguised as a joke at men's expense: only "the most rash" would challenge her, and even they do it shaking. Underneath, it's an assertion that independence isn't merely an attitude; it's backed by the capacity to retaliate, to refuse, to withhold approval or cooperation. Hoover treats female autonomy as something that changes the social physics of a room.
Context matters. As First Lady in the interwar years, Hoover occupied a role that demanded charm, restraint, and constant vigilance about appearing "too political". This sort of sentence lets her endorse women's agency while staying within acceptable registers: humor, decorum, and a whiff of self-deprecation. It's a tactical rhetorical move, smuggling respect for women’s power into a culture that often only recognized that power when it looked like threat. The trembling is the point: independence is not decorative; it rewrites who gets to be afraid.
Quote Details
| Topic | Confidence |
|---|---|
| Source | Help us find the source |
More Quotes by Lou
Add to List








