"The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth"
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Literary history, in Saintsbury's hands, behaves less like a parade of masterpieces and more like a weather system. The Italian prose tale is already in the air in Chaucer's time, he admits, but the climate in England is "unfavourable" for it to take root. That word choice matters: it shifts agency away from lone geniuses and toward conditions - language, patronage, readership, printing, taste, even social stability. Saintsbury is quietly arguing against the comforting myth that forms simply "arrive" because they are good, or because a great writer wants them.
The intent is diagnostic, almost botanical. Influence exists early, yet growth stalls; the puzzle is not discovery but cultivation. The subtext is that England's literary ecosystem in the late medieval period was structured to reward verse (status, memorability, performance) more than the sustained, domestic intimacy of prose fiction. Chaucer can borrow plots, tones, and cosmopolitan swagger from Italy, but the infrastructure for a prose tale tradition - broad literate publics, commercial circulation, an appetite for private reading - is not fully there.
Contextually, Saintsbury is a late-Victorian/Edwardian synthesizer of "the tradition", invested in mapping continuity without flattening it. His sentence performs that project: it acknowledges cross-European traffic while insisting on delay, friction, and the stubborn localness of literary form. Influence, he implies, is easy; adoption is political, economic, and cultural.
The intent is diagnostic, almost botanical. Influence exists early, yet growth stalls; the puzzle is not discovery but cultivation. The subtext is that England's literary ecosystem in the late medieval period was structured to reward verse (status, memorability, performance) more than the sustained, domestic intimacy of prose fiction. Chaucer can borrow plots, tones, and cosmopolitan swagger from Italy, but the infrastructure for a prose tale tradition - broad literate publics, commercial circulation, an appetite for private reading - is not fully there.
Contextually, Saintsbury is a late-Victorian/Edwardian synthesizer of "the tradition", invested in mapping continuity without flattening it. His sentence performs that project: it acknowledges cross-European traffic while insisting on delay, friction, and the stubborn localness of literary form. Influence, he implies, is easy; adoption is political, economic, and cultural.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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