"The job is to ask questions-it always was-and to ask them as inexorably as I can. And to face the absence of precise answers with a certain humility"
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Miller frames art as an ethical pressure test, not a delivery service for comforting conclusions. “The job” sounds almost workmanlike, stripping the playwright of mystique: he’s a laborer in uncertainty. The dash in “it always was” is doing real dramatic work, insisting this isn’t a personal quirk but a lineage and a mandate, a corrective to eras that demand artists be prophets, partisans, or merchandisers of certainty. His key verb, “ask,” is deceptively modest; it implies an audience and a confrontation. A question, on stage, is never just intellectual. It’s a trapdoor under a character’s self-story.
“Inexorably” sharpens the intent: the questions aren’t optional, and they aren’t polite. Miller’s theater - from Death of a Salesman to The Crucible - operates like a moral cross-examination, pressing until the evasions crack. Yet he refuses the cheap satisfaction of a verdict. “Absence of precise answers” acknowledges the modern condition Miller wrote inside: postwar disillusionment, the seductions of ideology, the hysteria of McCarthyism, the way social systems demand clarity where human motives remain muddy.
The twist is the final clause: “with a certain humility.” After the relentless interrogation, he rejects the authoritarian posture that often follows moral seriousness. Humility here isn’t weakness; it’s a safeguard against turning critique into doctrine. Miller’s subtext is that certainty is the real vice - on stage and in politics. The playwright’s responsibility is to keep the courtroom open, not to declare the case closed.
“Inexorably” sharpens the intent: the questions aren’t optional, and they aren’t polite. Miller’s theater - from Death of a Salesman to The Crucible - operates like a moral cross-examination, pressing until the evasions crack. Yet he refuses the cheap satisfaction of a verdict. “Absence of precise answers” acknowledges the modern condition Miller wrote inside: postwar disillusionment, the seductions of ideology, the hysteria of McCarthyism, the way social systems demand clarity where human motives remain muddy.
The twist is the final clause: “with a certain humility.” After the relentless interrogation, he rejects the authoritarian posture that often follows moral seriousness. Humility here isn’t weakness; it’s a safeguard against turning critique into doctrine. Miller’s subtext is that certainty is the real vice - on stage and in politics. The playwright’s responsibility is to keep the courtroom open, not to declare the case closed.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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