"The key factor is whether the agent is a member of the Association of Authors' Representatives, which screens its members and requires them to uphold a Canon of Ethics"
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Trust, in Curtis's framing, isn't a vibe; it's a credential. By elevating AAR membership to "the key factor", he’s trying to give anxious writers a simple, actionable filter in a marketplace that thrives on confusion. The language is deliberately bureaucratic: "screens", "requires", "Canon of Ethics". It reads like a consumer safety label on an industry where the products are hope, access, and sometimes outright scams.
The intent is protective, but also quietly political. Curtis is endorsing a gatekeeping mechanism at the precise moment many writers are most vulnerable: querying, paying for edits, weighing representation offers. In that terrain, ambiguity is expensive. He offers a bright line that shifts the burden of due diligence away from individual newcomers and onto an institution with enforceable norms. "Canon" does extra work here, borrowing the moral weight of scripture to suggest that ethical representation isn't optional or stylistic; it's foundational.
The subtext is an indictment of the ecosystem that makes such a disclaimer necessary. If agents were broadly transparent and accountable, writers wouldn't need to treat membership as a proxy for integrity. At the same time, Curtis's heuristic is imperfect by design. It implies that legitimacy flows through formal affiliation, which can inadvertently flatten the reality: ethical agents exist outside the AAR; AAR membership can't guarantee taste, talent, or career fit. Still, as a writer speaking to other writers, he’s choosing pragmatism over purity: better a guardrail with gaps than a free-for-all with predators.
The intent is protective, but also quietly political. Curtis is endorsing a gatekeeping mechanism at the precise moment many writers are most vulnerable: querying, paying for edits, weighing representation offers. In that terrain, ambiguity is expensive. He offers a bright line that shifts the burden of due diligence away from individual newcomers and onto an institution with enforceable norms. "Canon" does extra work here, borrowing the moral weight of scripture to suggest that ethical representation isn't optional or stylistic; it's foundational.
The subtext is an indictment of the ecosystem that makes such a disclaimer necessary. If agents were broadly transparent and accountable, writers wouldn't need to treat membership as a proxy for integrity. At the same time, Curtis's heuristic is imperfect by design. It implies that legitimacy flows through formal affiliation, which can inadvertently flatten the reality: ethical agents exist outside the AAR; AAR membership can't guarantee taste, talent, or career fit. Still, as a writer speaking to other writers, he’s choosing pragmatism over purity: better a guardrail with gaps than a free-for-all with predators.
Quote Details
| Topic | Ethics & Morality |
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