"The latest wrinkle is on wrinkles. There is a widespread belief that women can't grow old in television news"
About this Quote
Aging, Savitch suggests, isn’t a biological fact in television news so much as a production problem to be managed, litigated, and, when possible, erased. The line’s punch comes from that sly turn: “the latest wrinkle is on wrinkles.” She treats the industry’s obsession with youth like a newsroom “development,” a breaking-story gimmick. It’s a clever bit of meta-commentary: the surface subject is skin, but the real subject is power.
Savitch was a broadcast journalist at a moment when women were finally being allowed into the anchor chair, yet only under a punishing set of visual terms. Male anchors were permitted to “season” into authority; their aging read as gravitas. Women were asked to remain perpetually camera-ready in a way that collapses credibility into appearance. The subtext is brutal: for women, professional legitimacy in TV news is conditional, leased month-to-month by the optics department.
The quote also carries the weary precision of someone reporting from inside the machine. “Widespread belief” isn’t just public prejudice; it’s an institutional doctrine shared by executives, advertisers, and audience research. Savitch doesn’t romanticize the problem or personalize it into a single villain. She exposes how the medium naturalizes sexism by disguising it as “what viewers want,” as if bias were a market law rather than a choice.
In a single sentence, she captures a paradox that still lingers: television sells truth while policing which faces are allowed to deliver it.
Savitch was a broadcast journalist at a moment when women were finally being allowed into the anchor chair, yet only under a punishing set of visual terms. Male anchors were permitted to “season” into authority; their aging read as gravitas. Women were asked to remain perpetually camera-ready in a way that collapses credibility into appearance. The subtext is brutal: for women, professional legitimacy in TV news is conditional, leased month-to-month by the optics department.
The quote also carries the weary precision of someone reporting from inside the machine. “Widespread belief” isn’t just public prejudice; it’s an institutional doctrine shared by executives, advertisers, and audience research. Savitch doesn’t romanticize the problem or personalize it into a single villain. She exposes how the medium naturalizes sexism by disguising it as “what viewers want,” as if bias were a market law rather than a choice.
In a single sentence, she captures a paradox that still lingers: television sells truth while policing which faces are allowed to deliver it.
Quote Details
| Topic | Aging |
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