"The least consideration of any film I've ever worked on is who is right for it"
About this Quote
The intent reads as both pragmatic and protective. Pragmatic because she’s describing how sets actually function: scripts shift, budgets dictate, availability rules. Protective because it’s a way to dodge the actor’s most corrosive trap - believing every role is a moral verdict on your worth. If casting is not the primary consideration, rejection becomes less personal, less metaphysical. The subtext is an actor’s survival strategy: don’t romanticize a process that is often transactional and political.
Context matters, too. Lynch’s career sits in that 80s/90s zone where indie credibility, studio machinery, and auteur mythology all collide. The line punctures auteur worship without sounding bitter; it’s wry, almost breezy, but the implication is sharp. Great performances happen, yes, but not because the industry is a meritocracy with impeccable taste. They happen because someone said yes at the right moment, and everyone else built a story around that yes afterward.
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Citation Formats
APA Style (7th ed.)
Lynch, Kelly. (2026, January 16). The least consideration of any film I've ever worked on is who is right for it. FixQuotes. https://fixquotes.com/quotes/the-least-consideration-of-any-film-ive-ever-113944/
Chicago Style
Lynch, Kelly. "The least consideration of any film I've ever worked on is who is right for it." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/the-least-consideration-of-any-film-ive-ever-113944/.
MLA Style (9th ed.)
"The least consideration of any film I've ever worked on is who is right for it." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/the-least-consideration-of-any-film-ive-ever-113944/. Accessed 25 Feb. 2026.


