"The man who suspects his own tediousness is yet to be born"
About this Quote
Aldrich lands the punchline with a paradox: the only person capable of recognizing his own dullness is a hypothetical creature who doesn’t exist. It’s a neat, slightly cruel bit of social observation, the kind a poet in a manners-soaked, parlor-lit 19th century would file away after too many dinners with self-satisfied talkers. The line works because it flatters the reader while indicting everyone else. If you’re laughing, you’re implicitly exempt; the tedious are always other people.
The intent is less about boredom than about self-knowledge. Tediousness, in Aldrich’s framing, isn’t merely a lack of sparkle; it’s a failure of imagination about how you land in a room. The tedious man experiences himself as necessary. He confuses attention with entitlement. That’s why “suspects” matters: even a flicker of doubt would require the very social sensitivity that tedium erodes. Aldrich isn’t saying tedious people are evil; he’s saying their condition is self-sealing.
There’s also a quiet jab at moral earnestness. The era prized improvement, lectures, edifying conversation, the performance of being worth listening to. Aldrich suggests the performance is the problem: once you’re committed to your own importance, you lose the capacity to edit, to stop, to notice the audience drifting.
Read now, it’s basically an early diagnosis of Main Character Syndrome: the people most in need of self-awareness are the least equipped to access it. The wit is brisk, but the cynicism is surgical.
The intent is less about boredom than about self-knowledge. Tediousness, in Aldrich’s framing, isn’t merely a lack of sparkle; it’s a failure of imagination about how you land in a room. The tedious man experiences himself as necessary. He confuses attention with entitlement. That’s why “suspects” matters: even a flicker of doubt would require the very social sensitivity that tedium erodes. Aldrich isn’t saying tedious people are evil; he’s saying their condition is self-sealing.
There’s also a quiet jab at moral earnestness. The era prized improvement, lectures, edifying conversation, the performance of being worth listening to. Aldrich suggests the performance is the problem: once you’re committed to your own importance, you lose the capacity to edit, to stop, to notice the audience drifting.
Read now, it’s basically an early diagnosis of Main Character Syndrome: the people most in need of self-awareness are the least equipped to access it. The wit is brisk, but the cynicism is surgical.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
More Quotes by Thomas
Add to List






