"The metropolis has always been the seat of the money economy"
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A city doesn’t just contain money; it teaches people to think in money. When Simmel calls the metropolis "the seat of the money economy", he’s not offering a geography lesson. He’s naming a psychological regime. The modern city is where life gets translated into prices, schedules, transactions, and measurable outputs. In that sense, the metropolis isn’t merely financed by the money economy; it’s where the money economy becomes common sense.
Simmel wrote at the hinge of industrial modernity, when European cities were swelling with migrants, factories, department stores, and bureaucracies that replaced face-to-face obligation with impersonal exchange. Money is the perfect urban solvent: it lets strangers coordinate without trust, history, or kinship. That efficiency is the point, and it’s also the loss. The subtext is that money doesn’t stay in your wallet; it rewires perception. It flattens qualitative differences (care, craft, honor, time) into quantitative equivalents. The city’s famous speed and stimulation aren’t just sensory; they’re economic. Everything arrives as a claim on your attention, and attention is triaged with a calculator.
The line also smuggles in a critique of power. If the metropolis is the "seat", then money has a throne - institutions, landlords, employers, banks - that governs daily life at scale. People become legible as consumers and workers, not neighbors. Simmel’s genius is to make the metropolis feel less like a place and more like a moral climate: one where freedom from tradition is purchased with a chronic coolness, a protective distance, the early outline of what we now call urban alienation.
Simmel wrote at the hinge of industrial modernity, when European cities were swelling with migrants, factories, department stores, and bureaucracies that replaced face-to-face obligation with impersonal exchange. Money is the perfect urban solvent: it lets strangers coordinate without trust, history, or kinship. That efficiency is the point, and it’s also the loss. The subtext is that money doesn’t stay in your wallet; it rewires perception. It flattens qualitative differences (care, craft, honor, time) into quantitative equivalents. The city’s famous speed and stimulation aren’t just sensory; they’re economic. Everything arrives as a claim on your attention, and attention is triaged with a calculator.
The line also smuggles in a critique of power. If the metropolis is the "seat", then money has a throne - institutions, landlords, employers, banks - that governs daily life at scale. People become legible as consumers and workers, not neighbors. Simmel’s genius is to make the metropolis feel less like a place and more like a moral climate: one where freedom from tradition is purchased with a chronic coolness, a protective distance, the early outline of what we now call urban alienation.
Quote Details
| Topic | Money |
|---|---|
| Source | Help us find the source |
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