"The mind is but too naturally prone to pleasure, but too easily yielded to dissipation"
About this Quote
Burney’s warning lands with the cool authority of someone who has watched “pleasant” things quietly eat whole days. The phrasing is almost prim on purpose: “but too naturally” and “but too easily” carry a double rebuke, to the mind for drifting and to the culture that excuses that drift as harmless. She isn’t condemning pleasure as such; she’s diagnosing a default setting. The mind, left unguided, will choose what feels good now and call it freedom, even when it’s just surrender.
The subtext is classed and gendered in the way late-18th-century moral language often is. “Dissipation” doesn’t mean one dramatic downfall; it’s the soft social fog of card tables, flirtations, gossip, and endless visiting - the respectable forms of distraction that especially hemmed in women’s time and ambition. Burney, a novelist attuned to manners as power, uses a genteel vocabulary to smuggle in a sharper critique: selfhood is vulnerable to being managed by amusement, and amusement is rarely neutral. It’s a social technology that keeps people busy, compliant, and pleasantly exhausted.
The sentence also reads like a writer talking about writing. Burney knew the tug-of-war between attention and entertainment, between the discipline required to produce art and the constant invitation to postpone it. “Prone” and “yielded” suggest gravity and collapse rather than choice, making distraction feel less like a personal failing than a predictable human physics. That’s why the line still stings: it frames pleasure not as a reward but as a force that must be handled, or it will handle you.
The subtext is classed and gendered in the way late-18th-century moral language often is. “Dissipation” doesn’t mean one dramatic downfall; it’s the soft social fog of card tables, flirtations, gossip, and endless visiting - the respectable forms of distraction that especially hemmed in women’s time and ambition. Burney, a novelist attuned to manners as power, uses a genteel vocabulary to smuggle in a sharper critique: selfhood is vulnerable to being managed by amusement, and amusement is rarely neutral. It’s a social technology that keeps people busy, compliant, and pleasantly exhausted.
The sentence also reads like a writer talking about writing. Burney knew the tug-of-war between attention and entertainment, between the discipline required to produce art and the constant invitation to postpone it. “Prone” and “yielded” suggest gravity and collapse rather than choice, making distraction feel less like a personal failing than a predictable human physics. That’s why the line still stings: it frames pleasure not as a reward but as a force that must be handled, or it will handle you.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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