"The models for me were more the folk-rock singers of the '60s and '70s"
About this Quote
Carly Simon’s “models” line is doing quiet but pointed cultural work: it’s a claim of lineage. By reaching back to the folk-rock singers of the ’60s and ’70s, she’s not just naming influences, she’s choosing a value system. That era carries a specific set of permissions and expectations - the singer who writes, the performer who confesses, the voice that sounds like a person rather than a product. In one sentence, Simon positions herself closer to Joni Mitchell’s diaristic precision or James Taylor’s intimate calm than to the flashier, more fabricated strains of pop that were always lurking nearby.
The subtext is also gendered without having to say so. Folk-rock’s canonization often flattened women into muses or “girls with guitars,” yet it also created one of the first mainstream spaces where a woman could be the author of her own interior life. Simon’s phrasing stakes out that authorship: her “models” are not just vocal styles, but a template for self-definition - emotional candor, narrative control, and a certain refusal to overperform.
Context matters because “model” implies a career blueprint, not a playlist. It suggests how to survive fame while keeping some private truth intact: you can be commercially legible and still sound like you mean it. In an industry that repeatedly rewards reinvention as spectacle, Simon’s backward glance is a subtle provocation. She’s arguing that authenticity isn’t a marketing adjective; it’s a craft tradition.
The subtext is also gendered without having to say so. Folk-rock’s canonization often flattened women into muses or “girls with guitars,” yet it also created one of the first mainstream spaces where a woman could be the author of her own interior life. Simon’s phrasing stakes out that authorship: her “models” are not just vocal styles, but a template for self-definition - emotional candor, narrative control, and a certain refusal to overperform.
Context matters because “model” implies a career blueprint, not a playlist. It suggests how to survive fame while keeping some private truth intact: you can be commercially legible and still sound like you mean it. In an industry that repeatedly rewards reinvention as spectacle, Simon’s backward glance is a subtle provocation. She’s arguing that authenticity isn’t a marketing adjective; it’s a craft tradition.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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