"The models for me were more the folk-rock singers of the '60s and '70s"
About this Quote
The subtext is also gendered without having to say so. Folk-rock’s canonization often flattened women into muses or “girls with guitars,” yet it also created one of the first mainstream spaces where a woman could be the author of her own interior life. Simon’s phrasing stakes out that authorship: her “models” are not just vocal styles, but a template for self-definition - emotional candor, narrative control, and a certain refusal to overperform.
Context matters because “model” implies a career blueprint, not a playlist. It suggests how to survive fame while keeping some private truth intact: you can be commercially legible and still sound like you mean it. In an industry that repeatedly rewards reinvention as spectacle, Simon’s backward glance is a subtle provocation. She’s arguing that authenticity isn’t a marketing adjective; it’s a craft tradition.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Simon, Carly. (2026, January 16). The models for me were more the folk-rock singers of the '60s and '70s. FixQuotes. https://fixquotes.com/quotes/the-models-for-me-were-more-the-folk-rock-singers-85637/
Chicago Style
Simon, Carly. "The models for me were more the folk-rock singers of the '60s and '70s." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/the-models-for-me-were-more-the-folk-rock-singers-85637/.
MLA Style (9th ed.)
"The models for me were more the folk-rock singers of the '60s and '70s." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/the-models-for-me-were-more-the-folk-rock-singers-85637/. Accessed 7 Feb. 2026.

