"The moment you're born you're done for"
About this Quote
A clean little gut-punch: existence begins as a countdown. Bennett’s line lands because it refuses the sentimental story we like to tell about birth as pure opening and possibility. Instead, he treats it as the start of a contract with time you can’t renegotiate. “Done for” is street-level fatalism, almost comic in its bluntness, and that casual phrasing is the trick: it sneaks a metaphysical claim into an everyday idiom, making mortality feel less like philosophy and more like common sense.
The intent isn’t nihilism so much as anti-romantic realism. Bennett, a novelist associated with the gritty textures of ordinary life, is interested in what people do under pressure: routine, compromise, ambition, small freedoms. By framing birth as doom, he strips away the comforting myth of exceptional destiny. You’re not chosen; you’re enrolled. The subtext is democratic and slightly cruel: everyone gets the same ending, so the real drama is how you fill the middle, and how quickly you learn that the world will not pause for your self-image.
Context matters. Bennett wrote in a Britain reshaped by industrial modernity, where lives were increasingly measured by schedules, wages, and social mobility, not pastoral timelessness. In that climate, “done for” also reads as a critique of progress narratives: the machine keeps moving, and you’re already on the conveyor belt. The wit is dark but purposeful. It doesn’t ask you to despair; it dares you to be unsentimental about time, and therefore more serious about living.
The intent isn’t nihilism so much as anti-romantic realism. Bennett, a novelist associated with the gritty textures of ordinary life, is interested in what people do under pressure: routine, compromise, ambition, small freedoms. By framing birth as doom, he strips away the comforting myth of exceptional destiny. You’re not chosen; you’re enrolled. The subtext is democratic and slightly cruel: everyone gets the same ending, so the real drama is how you fill the middle, and how quickly you learn that the world will not pause for your self-image.
Context matters. Bennett wrote in a Britain reshaped by industrial modernity, where lives were increasingly measured by schedules, wages, and social mobility, not pastoral timelessness. In that climate, “done for” also reads as a critique of progress narratives: the machine keeps moving, and you’re already on the conveyor belt. The wit is dark but purposeful. It doesn’t ask you to despair; it dares you to be unsentimental about time, and therefore more serious about living.
Quote Details
| Topic | Free Will & Fate |
|---|---|
| Source | Help us find the source |
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