"The more disastrous the mishaps the simpler the reviewing task"
About this Quote
Disaster is a critic's guilty convenience. Donal Henahan's line skewers the unspoken economy of reviewing: the worse the performance, the less work required to turn it into copy. A train wreck arrives pre-labeled. You don't have to parse interpretive choices, weigh nuance, or disentangle ambition from execution. You just point to the smoke.
The intent feels less like cruelty than self-indictment. Henahan isn't only mocking the hapless artist; he's calling out the critic's tendency to confuse ease with clarity and certainty with insight. A fiasco flatters the reviewer with instant authority. The verdict comes fast, the prose sharpens itself, and the reader's appetite for spectacle does the rest. It's the same cultural algorithm that rewards dunking over discernment: catastrophe produces clean narratives.
The subtext is about risk and asymmetry. Artists gamble in public, with reputation as collateral. Critics, especially in deadline culture, are incentivized to prefer the obvious. Excellence can be maddeningly hard to describe; failure is satisfyingly concrete. The line hints that criticism, at its best, should be hardest when the work is strongest, because that's when the reviewer must listen closely and articulate what can't be captured by a punchline.
Contextually, it reads like a veteran arts writer talking from inside the press box: a reminder that criticism is also labor, and that laziness can masquerade as rigor when the subject collapses on cue.
The intent feels less like cruelty than self-indictment. Henahan isn't only mocking the hapless artist; he's calling out the critic's tendency to confuse ease with clarity and certainty with insight. A fiasco flatters the reviewer with instant authority. The verdict comes fast, the prose sharpens itself, and the reader's appetite for spectacle does the rest. It's the same cultural algorithm that rewards dunking over discernment: catastrophe produces clean narratives.
The subtext is about risk and asymmetry. Artists gamble in public, with reputation as collateral. Critics, especially in deadline culture, are incentivized to prefer the obvious. Excellence can be maddeningly hard to describe; failure is satisfyingly concrete. The line hints that criticism, at its best, should be hardest when the work is strongest, because that's when the reviewer must listen closely and articulate what can't be captured by a punchline.
Contextually, it reads like a veteran arts writer talking from inside the press box: a reminder that criticism is also labor, and that laziness can masquerade as rigor when the subject collapses on cue.
Quote Details
| Topic | Witty One-Liners |
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