"The more interesting the 9-to-5 work is, the more it takes away from my real work, which is writing"
About this Quote
Rossner’s line has the bracing honesty of someone refusing the polite lie that a “good job” is automatically good for an artist. The twist is in the first clause: she doesn’t complain about boring work. She worries about the seductive kind. An interesting 9-to-5 isn’t just a time thief; it’s an identity thief. It offers the daily rewards writing often withholds - clear tasks, social recognition, a paycheck that arrives on schedule - and quietly trains your brain to accept those rewards as enough.
The subtext is a small revolt against a culture that romanticizes productivity while misunderstanding creation. Writing, for Rossner, is not a hobby you fit around a career. It is the career, even if it pays late, pays unevenly, or pays in private satisfaction rather than public status. When she calls writing “real work,” she’s staking a claim against the bureaucratic definition of labor: hours logged, meetings attended, emails answered. Real work is the thing that drains you without witnesses and still feels necessary.
Context matters: Rossner came up in an era when literary ambition, especially for women, was routinely expected to coexist with a “sensible” job and a full second shift at home. The sentence reads like self-defense as much as self-description, a boundary drawn in advance. Interesting employment is the most dangerous compromise because it doesn’t feel like compromise at all. It feels like a life. And that’s precisely the problem.
The subtext is a small revolt against a culture that romanticizes productivity while misunderstanding creation. Writing, for Rossner, is not a hobby you fit around a career. It is the career, even if it pays late, pays unevenly, or pays in private satisfaction rather than public status. When she calls writing “real work,” she’s staking a claim against the bureaucratic definition of labor: hours logged, meetings attended, emails answered. Real work is the thing that drains you without witnesses and still feels necessary.
Context matters: Rossner came up in an era when literary ambition, especially for women, was routinely expected to coexist with a “sensible” job and a full second shift at home. The sentence reads like self-defense as much as self-description, a boundary drawn in advance. Interesting employment is the most dangerous compromise because it doesn’t feel like compromise at all. It feels like a life. And that’s precisely the problem.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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