"The more people explore the world, the more they realize in every country there's a different aesthetic. Beauty really is in the eye of the beholder"
About this Quote
In the mouth of a supermodel, "beauty is in the eye of the beholder" could sound like a defensive cliche. Helena Christensen makes it land by smuggling in a quiet critique of the industry that made her famous. She starts with motion: "The more people explore the world..". Travel here isn't tourism as bragging right; it's an education in relativity. The sentence builds like a runway walk that turns into something else: exposure produces humility.
Her key move is the phrase "in every country there's a different aesthetic". Not "standards" or "ideals" but "aesthetic" - a word that implies taste, culture, and history, not biology or destiny. It's an implicit rebuke to the idea that beauty can be exported like a brand campaign. Christensen's career unfolded during the high-gloss globalization of fashion, when a narrow Euro-American look could be marketed as neutral, even inevitable. She flips that: the more global your viewpoint, the less universal any single gaze becomes.
The second line, "Beauty really is in the eye of the beholder", isn't just a Hallmark wrap-up; it's a power shift. The beholder matters. That suggests audiences, communities, and individuals aren't passive consumers of a beauty machine - they're active editors. Coming from someone whose image has been professionally judged and commodified, the subtext reads as both permission and warning: if beauty is negotiated locally, then the politics of who gets to behold - who gets to name what's beautiful - is the real battleground.
Her key move is the phrase "in every country there's a different aesthetic". Not "standards" or "ideals" but "aesthetic" - a word that implies taste, culture, and history, not biology or destiny. It's an implicit rebuke to the idea that beauty can be exported like a brand campaign. Christensen's career unfolded during the high-gloss globalization of fashion, when a narrow Euro-American look could be marketed as neutral, even inevitable. She flips that: the more global your viewpoint, the less universal any single gaze becomes.
The second line, "Beauty really is in the eye of the beholder", isn't just a Hallmark wrap-up; it's a power shift. The beholder matters. That suggests audiences, communities, and individuals aren't passive consumers of a beauty machine - they're active editors. Coming from someone whose image has been professionally judged and commodified, the subtext reads as both permission and warning: if beauty is negotiated locally, then the politics of who gets to behold - who gets to name what's beautiful - is the real battleground.
Quote Details
| Topic | Wanderlust |
|---|---|
| Source | Help us find the source |
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