"The more we do, the more we can do"
About this Quote
Productivity, in Hazlitt's hands, isn’t a pep slogan; it’s a provocation aimed at the genteel myth of “natural genius.” “The more we do, the more we can do” asserts that capacity is not a fixed endowment but an expandable muscle, built through friction, repetition, and risk. As a critic who made his name by taking art, politics, and public taste seriously, Hazlitt is quietly declaring allegiance to effort over mystique - and to process over pose.
The line works because it turns a moral assumption into an engine. The first clause (“The more we do”) implies action before certainty, a rebuke to the self-protective habit of waiting until we feel ready. The second (“the more we can do”) promises compounding returns: practice doesn’t just produce output; it enlarges the very self that produces. Hazlitt’s compressed symmetry gives it the snap of inevitability, like a law of motion rather than advice.
Subtextually, it’s also a political and cultural jab. Writing in a Britain anxious about class, education, and who gets to claim authority, Hazlitt suggests that power can be manufactured from below through disciplined engagement. That challenges the era’s comfort with inherited “fitness” and the romantic fetish for effortless inspiration. For a critic, it’s a credo: sharp judgment is earned by doing the work - reading, watching, revising, arguing - until perception itself gets stronger. It’s ambition without glamour, and that’s exactly why it lands.
The line works because it turns a moral assumption into an engine. The first clause (“The more we do”) implies action before certainty, a rebuke to the self-protective habit of waiting until we feel ready. The second (“the more we can do”) promises compounding returns: practice doesn’t just produce output; it enlarges the very self that produces. Hazlitt’s compressed symmetry gives it the snap of inevitability, like a law of motion rather than advice.
Subtextually, it’s also a political and cultural jab. Writing in a Britain anxious about class, education, and who gets to claim authority, Hazlitt suggests that power can be manufactured from below through disciplined engagement. That challenges the era’s comfort with inherited “fitness” and the romantic fetish for effortless inspiration. For a critic, it’s a credo: sharp judgment is earned by doing the work - reading, watching, revising, arguing - until perception itself gets stronger. It’s ambition without glamour, and that’s exactly why it lands.
Quote Details
| Topic | Motivational |
|---|---|
| Source | Unverified source: Table-Talk; or, Original Essays on Men and Manners (William Hazlitt, 1821)
Evidence: Essay I: "On the Pleasure of Painting" (Vol. I); exact page varies by edition. The exact wording appears in Hazlitt’s essay "On the Pleasure of Painting" in Table-Talk (Vol. I). A bibliographical note in the 1903 Dent collected edition states that Table-Talk’s first edition was issued in two volu... Other candidates (2) William Hazlitt (William Hazlitt) compilation95.0% ure it cannot be destroyed jeremy bentham 2 the more we do the more we can do th The Miscellaneous Works of William Hazlitt (William Hazlitt, 1876) compilation95.0% William Hazlitt. speaks French ( and , we believe , several other modern languages ) fluently : is a capital ... The ... |
| Featured | This quote was our Quote of the Day on June 29, 2023 |
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