"The more you reason the less you create"
About this Quote
Chandler is throwing a hard elbow at the tidy-minded people who want art to behave like algebra. “The more you reason the less you create” isn’t an anti-intellectual shrug; it’s a craftsman’s warning about what happens when you let explanation lead and intuition follow. Chandler wrote in a genre that was supposed to be mechanical: clues, deductions, a solved case. Yet his best work isn’t remembered for airtight plotting so much as for voice, mood, and moral grime. The line reads like a private note to himself: if you keep interrogating every choice, you’ll sand down the jagged edges that make a sentence alive.
The subtext is about control. Reasoning promises safety: no wrong turns, no embarrassing excess, no unruly metaphors. Chandler argues that safety is the enemy of invention. Creation needs the willingness to be temporarily stupid on the page, to follow an image or a rhythm before you can justify it. The irony is that Chandler was hardly careless; his prose is engineered. But it’s engineered in revision, after the leap. First comes the irrational spark, then the rational tightening.
Context matters: writing in the mid-century pulp economy, Chandler faced deadlines, formulas, editors. Over-reasoning becomes a kind of self-censorship that collaborates with the assembly line. His detective fiction already lived under the tyranny of “making sense.” This line pushes back, insisting that art’s job isn’t to be explainable at every step; it’s to be felt, then understood.
The subtext is about control. Reasoning promises safety: no wrong turns, no embarrassing excess, no unruly metaphors. Chandler argues that safety is the enemy of invention. Creation needs the willingness to be temporarily stupid on the page, to follow an image or a rhythm before you can justify it. The irony is that Chandler was hardly careless; his prose is engineered. But it’s engineered in revision, after the leap. First comes the irrational spark, then the rational tightening.
Context matters: writing in the mid-century pulp economy, Chandler faced deadlines, formulas, editors. Over-reasoning becomes a kind of self-censorship that collaborates with the assembly line. His detective fiction already lived under the tyranny of “making sense.” This line pushes back, insisting that art’s job isn’t to be explainable at every step; it’s to be felt, then understood.
Quote Details
| Topic | Reason & Logic |
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