"The most mediocre of males feels himself a demigod as compared with women"
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A slap across the face of “common sense,” de Beauvoir’s line weaponizes exaggeration to expose how patriarchy runs not only on brute power but on petty self-regard. “Most mediocre” is the tell: she isn’t talking about exceptional men with institutional clout; she’s targeting the average guy whose confidence is inflated precisely because the culture has arranged women as his measuring stick. Mediocrity becomes comfortable when comparison is rigged.
The demigod image is doing double duty. It’s funny in its cruelty, but it also maps onto how gender hierarchy borrows the language of the divine to naturalize itself. If men are nearer to the “universal,” women become the diminished “other,” a supporting category against which male identity can feel expansive, heroic, inevitable. That’s classic de Beauvoir: not accusing individual men of personal villainy so much as diagnosing a system that gifts them metaphysical importance.
Context matters. Writing in the wake of World War II and within the existentialist milieu, de Beauvoir is arguing that “woman” has been made, socially and historically, into a second-class being - not by biology but by myth, habit, law, and everyday expectations. The line captures the psychic payoff of that arrangement: a cheap transcendence available on demand. It’s not just that women are constrained; it’s that men are trained to misread their unearned advantages as proof of their nature. The sting is intentional: it forces the reader to notice how entitlement can feel like destiny when the culture keeps handing you the role of protagonist.
The demigod image is doing double duty. It’s funny in its cruelty, but it also maps onto how gender hierarchy borrows the language of the divine to naturalize itself. If men are nearer to the “universal,” women become the diminished “other,” a supporting category against which male identity can feel expansive, heroic, inevitable. That’s classic de Beauvoir: not accusing individual men of personal villainy so much as diagnosing a system that gifts them metaphysical importance.
Context matters. Writing in the wake of World War II and within the existentialist milieu, de Beauvoir is arguing that “woman” has been made, socially and historically, into a second-class being - not by biology but by myth, habit, law, and everyday expectations. The line captures the psychic payoff of that arrangement: a cheap transcendence available on demand. It’s not just that women are constrained; it’s that men are trained to misread their unearned advantages as proof of their nature. The sting is intentional: it forces the reader to notice how entitlement can feel like destiny when the culture keeps handing you the role of protagonist.
Quote Details
| Topic | Equality |
|---|---|
| Source | Simone de Beauvoir, The Second Sex (Le Deuxième Sexe), 1949; English trans. H. M. Parshley (1953). Often cited line: 'The most mediocre of males feels himself a demigod as compared with women.' |
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