"The muscular, athletic type is not representative of the human race, who are varied in their physique"
About this Quote
Westwood needles a fantasy the fashion industry helped manufacture: that the “default human” is lean, toned, and effortlessly athletic. By naming the “muscular, athletic type” as a type - not an ideal, not a norm - she turns what’s usually sold as aspirational into something merely particular. The phrase “not representative” is doing moral work. It’s a rebuke of a cultural regime that treats one body as evidence of discipline and everyone else as a problem to be fixed, filtered, or hidden.
The subtext is less about bodybuilding than about power. Fashion and advertising don’t just display bodies; they legislate them, deciding which physiques get to mean health, youth, desirability, even virtue. Westwood’s pointed, almost deadpan reminder that humans are “varied” punctures the tidy narrative that a single silhouette can stand in for a species. It’s also a sly jab at the way “athletic” gets weaponized as a euphemism for acceptable thinness: a sanitized, sporty justification for exclusion.
Context matters: Westwood was a designer who built her reputation on antagonizing norms - punk as aesthetic and politics. Coming from her, this isn’t a polite plea for “body positivity” branding. It’s closer to a structural critique of who gets to be seen on runways, in campaigns, and in the cultural imagination. The line reads like an editorial correction: reality has more shapes than the industry’s mood board, and pretending otherwise isn’t taste. It’s erasure.
The subtext is less about bodybuilding than about power. Fashion and advertising don’t just display bodies; they legislate them, deciding which physiques get to mean health, youth, desirability, even virtue. Westwood’s pointed, almost deadpan reminder that humans are “varied” punctures the tidy narrative that a single silhouette can stand in for a species. It’s also a sly jab at the way “athletic” gets weaponized as a euphemism for acceptable thinness: a sanitized, sporty justification for exclusion.
Context matters: Westwood was a designer who built her reputation on antagonizing norms - punk as aesthetic and politics. Coming from her, this isn’t a polite plea for “body positivity” branding. It’s closer to a structural critique of who gets to be seen on runways, in campaigns, and in the cultural imagination. The line reads like an editorial correction: reality has more shapes than the industry’s mood board, and pretending otherwise isn’t taste. It’s erasure.
Quote Details
| Topic | Equality |
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