"The name Peace River itself is the monument of a successful effort on the part of the Company to bring about a better understanding between the Crees and the Beavers"
About this Quote
“Peace River” reads like a tidy civic plaque: a name that stands in for a whole history, polished until it gleams. Seton’s phrasing turns that polish into the point. Calling the name itself “the monument” performs a sleight of hand: it shifts attention from what actually happened on the ground to what can be safely commemorated. A river becomes public relations. A word becomes proof.
The sentence is built to flatter power. “Successful effort” and “better understanding” sound like neutral diplomacy, but the actor doing the “effort” is “the Company” - capital-C authority, presumably the Hudson’s Bay Company in the fur-trade north. The subtext is that peace is something administered by commerce, not negotiated among nations with their own sovereignty. “Between the Crees and the Beavers” frames Indigenous peoples as two parties needing mediation, while the Company sits above the conflict, benevolent and managerial. It’s an old colonial narrative trick: recast economic expansion as humanitarian intervention.
Context matters: Seton, a prominent naturalist and cultural figure, often wrote with a romantic confidence about “frontier” spaces. Here that confidence slides into institutional mythmaking. Place-names in Canada are rarely innocent; they’re tools that fix a version of events into maps, schoolbooks, and memory. By treating “Peace River” as a monument, Seton isn’t just describing history - he’s endorsing a way of remembering it, one where corporate governance gets credit for harmony, and the costs, coercions, and asymmetries that made “peace” legible enough to be named can stay politely offstage.
The sentence is built to flatter power. “Successful effort” and “better understanding” sound like neutral diplomacy, but the actor doing the “effort” is “the Company” - capital-C authority, presumably the Hudson’s Bay Company in the fur-trade north. The subtext is that peace is something administered by commerce, not negotiated among nations with their own sovereignty. “Between the Crees and the Beavers” frames Indigenous peoples as two parties needing mediation, while the Company sits above the conflict, benevolent and managerial. It’s an old colonial narrative trick: recast economic expansion as humanitarian intervention.
Context matters: Seton, a prominent naturalist and cultural figure, often wrote with a romantic confidence about “frontier” spaces. Here that confidence slides into institutional mythmaking. Place-names in Canada are rarely innocent; they’re tools that fix a version of events into maps, schoolbooks, and memory. By treating “Peace River” as a monument, Seton isn’t just describing history - he’s endorsing a way of remembering it, one where corporate governance gets credit for harmony, and the costs, coercions, and asymmetries that made “peace” legible enough to be named can stay politely offstage.
Quote Details
| Topic | Peace |
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