"The new fashion is to talk about the most private parts of your life; other fashion is to repent of your excesses and to criticize the drugs that made you happy in the other times"
About this Quote
Jagger’s line skewers a very modern kind of confessional whiplash: first we monetize intimacy, then we monetize regret. Coming from a frontman whose public image was built on sex, spectacle, and a carefully curated sense of danger, the joke lands with extra bite. He’s not acting scandalized; he’s pointing out how predictable the culture’s “rebellion” has become once it’s packaged as content.
The intent is less moral than observational. “The new fashion” frames self-exposure as trend, not bravery. Private life isn’t being shared because society suddenly got healthier about vulnerability; it’s being traded because attention markets reward oversharing. Then comes the second fashion: repentance. Not actual transformation, but a tidy narrative arc where the former sinner returns to warn the kids. Jagger’s phrasing makes that arc feel suspiciously convenient, like a rebrand timed to middle age, sponsorships, or memoir season.
The subtext is a jab at selective honesty. People will describe their “most private parts” but only in ways that keep them legible, admired, and ultimately safe. Even the condemnation of drugs is portrayed as performative: “criticize the drugs that made you happy.” He refuses the sanitized retroactive story where pleasure must be recast as purely destructive to earn social approval. In an era of tell-all interviews, recovery-as-branding, and the endless demand for authenticity, Jagger suggests the real addiction might be to narrative control: confession and contrition as alternating costumes.
The intent is less moral than observational. “The new fashion” frames self-exposure as trend, not bravery. Private life isn’t being shared because society suddenly got healthier about vulnerability; it’s being traded because attention markets reward oversharing. Then comes the second fashion: repentance. Not actual transformation, but a tidy narrative arc where the former sinner returns to warn the kids. Jagger’s phrasing makes that arc feel suspiciously convenient, like a rebrand timed to middle age, sponsorships, or memoir season.
The subtext is a jab at selective honesty. People will describe their “most private parts” but only in ways that keep them legible, admired, and ultimately safe. Even the condemnation of drugs is portrayed as performative: “criticize the drugs that made you happy.” He refuses the sanitized retroactive story where pleasure must be recast as purely destructive to earn social approval. In an era of tell-all interviews, recovery-as-branding, and the endless demand for authenticity, Jagger suggests the real addiction might be to narrative control: confession and contrition as alternating costumes.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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