"The new limitations are the human ones of perception"
About this Quote
Coming from a composer synonymous with postwar serialism and high-control composition, the line carries a cool, almost clinical provocation. It’s less "music has gotten too hard" than "we’ve outpaced our habits". Babbitt’s subtext is that complexity isn’t a vice; it’s a fact of the art’s evolution, and it demands new literacies. That stance also doubles as a defense against the perennial charge that avant-garde music is inhuman or elitist. If perception is the limit, the work isn’t failing - the audience’s perceptual apparatus (individual and collective) simply hasn’t been recalibrated.
The context matters: Babbitt wrote and spoke in an era when composers were increasingly embedded in universities, insulated from mass-market taste, and willing to treat music like research. This sentence is a manifesto for that world. It argues that the frontier has moved from what can be composed to what can be heard, and it quietly suggests a cultural bargain: either expand perception, or accept that art will keep advancing without you.
Quote Details
| Topic | Deep |
|---|---|
| Source | Help us find the source |
| Cite | Cite this Quote |
Citation Formats
APA Style (7th ed.)
Babbitt, Milton. (2026, January 16). The new limitations are the human ones of perception. FixQuotes. https://fixquotes.com/quotes/the-new-limitations-are-the-human-ones-of-95998/
Chicago Style
Babbitt, Milton. "The new limitations are the human ones of perception." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/the-new-limitations-are-the-human-ones-of-95998/.
MLA Style (9th ed.)
"The new limitations are the human ones of perception." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/the-new-limitations-are-the-human-ones-of-95998/. Accessed 4 Feb. 2026.









