"The only interesting answers are those that destroy the questions"
About this Quote
Sontag is picking a fight with the polite idea that thinking is a tidy Q-and-A exchange. The line sounds like a paradox but it’s really a dare: if your “answer” leaves the original question standing, unchanged, you’ve probably done little more than decorate your assumptions. The interesting answer is the one that makes the question obsolete by showing it was badly framed, loaded, sentimental, or strategically narrow. It’s the intellectual version of pulling out the floorboards and discovering the room was built on a false foundation.
The subtext is anti-comfort. Sontag mistrusted the way questions can function as cultural furniture: “What does it mean?” “Is it good or bad?” “Is it political?” These aren’t neutral inquiries so much as habits of control, ways to domesticate art and experience into manageable categories. An answer that “destroys” the question refuses that domestication. It reorients the conversation toward a new vocabulary, new stakes, new modes of attention.
Context matters: Sontag’s career was spent challenging interpretive reflexes, especially the impulse to reduce art to message or symptom. In “Against Interpretation,” she argues for an erotics of art over a hermeneutics, pushing back on criticism that treats artworks like puzzles with a moral prize inside. This quote condenses that ethos into one ruthless sentence. It flatters no one. It suggests that real insight doesn’t close debate; it rewires it, leaving the old questions looking suddenly provincial.
The subtext is anti-comfort. Sontag mistrusted the way questions can function as cultural furniture: “What does it mean?” “Is it good or bad?” “Is it political?” These aren’t neutral inquiries so much as habits of control, ways to domesticate art and experience into manageable categories. An answer that “destroys” the question refuses that domestication. It reorients the conversation toward a new vocabulary, new stakes, new modes of attention.
Context matters: Sontag’s career was spent challenging interpretive reflexes, especially the impulse to reduce art to message or symptom. In “Against Interpretation,” she argues for an erotics of art over a hermeneutics, pushing back on criticism that treats artworks like puzzles with a moral prize inside. This quote condenses that ethos into one ruthless sentence. It flatters no one. It suggests that real insight doesn’t close debate; it rewires it, leaving the old questions looking suddenly provincial.
Quote Details
| Topic | Deep |
|---|---|
| Source | Unverified source: Esquire: Whatever You'd Like Susan Sontag to Think, She D... (Susan Sontag, 1968)
Evidence: null. Primary-source appearance located in Esquire Classic archive. The article header/deck explicitly includes the line as a spoken quote: “The only interesting answers,” she says, “are those which destroy the questions,” dated July 1, 1968. The archive landing page shown is not paginated in the... Other candidates (2) Oral Exams (A. Lee Foote, 2015) compilation95.0% ... The only interesting answers are those that destroy the questions . Susan Sontag This is possibly the single most... Susan Sontag (Susan Sontag) compilation43.2% he demands of later readers it seeks to resolve that discrepancy the situation is |
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