"The only joy in the world is to begin"
About this Quote
Beginnings are Pavese's small, sharp defiance against the drag of living. "The only joy in the world is to begin" reads like a slogan until you remember who wrote it: a poet whose work circles obsession, repetition, and the way desire curdles into routine. The line isn't sentimental optimism; it's an austerely chosen pleasure, almost a ration. Joy, for Pavese, doesn't bloom in fulfillment. It flashes in the moment before the world has time to disappoint you.
The sentence works because it turns joy into an action rather than a possession. To "begin" is to step into possibility, to inhabit a future that hasn't yet narrowed. In that sliver of time, you are temporarily unburdened by outcomes. It's the psychology of anticipation, but written with the fatalist's awareness that the middle and the end tend to exact their taxes: compromise, boredom, failure, grief. By declaring beginnings the only joy, Pavese smuggles in a bleak corollary: everything after the start is, at best, endurance.
Context sharpens the edge. Writing in the shadow of fascism, war, and postwar disillusionment, Pavese belonged to a generation trained to distrust narratives of progress. His own life, marked by exile, depression, and a final suicide, makes the line feel less like advice and more like self-diagnosis: a man trying to locate a reliable spark in an unreliable world. There's also craft in it for an artist: every new poem, every new love, every new project offers that clean ignition. The tragedy is that ignition is brief, and Pavese knows it.
The sentence works because it turns joy into an action rather than a possession. To "begin" is to step into possibility, to inhabit a future that hasn't yet narrowed. In that sliver of time, you are temporarily unburdened by outcomes. It's the psychology of anticipation, but written with the fatalist's awareness that the middle and the end tend to exact their taxes: compromise, boredom, failure, grief. By declaring beginnings the only joy, Pavese smuggles in a bleak corollary: everything after the start is, at best, endurance.
Context sharpens the edge. Writing in the shadow of fascism, war, and postwar disillusionment, Pavese belonged to a generation trained to distrust narratives of progress. His own life, marked by exile, depression, and a final suicide, makes the line feel less like advice and more like self-diagnosis: a man trying to locate a reliable spark in an unreliable world. There's also craft in it for an artist: every new poem, every new love, every new project offers that clean ignition. The tragedy is that ignition is brief, and Pavese knows it.
Quote Details
| Topic | New Beginnings |
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