"The only reason I would take up jogging is so that I could hear heavy breathing again"
About this Quote
Jogging, in Erma Bombeck's hands, isn’t a path to self-actualization; it’s a loophole back into sensuality. The joke lands because it reverses the usual moral accounting of exercise. You’re supposed to jog to become virtuous, disciplined, “better.” Bombeck’s speaker jogs for the least sanctified payoff imaginable: the sound of heavy breathing. It’s a line that winks at sex without declaring it, letting innuendo do the work while preserving the columnist’s genial, suburban respectability.
The intent is both comic and corrective. Bombeck’s persona was built around puncturing middle-class pieties - especially those aimed at women - with a tone that feels like confession but functions like critique. “Take up jogging” evokes the late-20th-century fitness boom, when wellness culture started selling redemption in sneakers. Her punchline calls out that bargain: if the body is going to be managed, timed, optimized, it should at least come with pleasure attached.
Subtext: fatigue has replaced desire, routine has replaced romance, and adulthood has a way of turning the soundtrack of intimacy into the soundtrack of chores. By choosing “heavy breathing” rather than love or passion, Bombeck keeps it tactile and slightly ridiculous, the way real longing often is when it’s been sitting under laundry piles and schedules. It’s funny because it’s frank, and frank because it’s safe: a horny thought disguised as a health plan.
Contextually, it’s classic Bombeck: domestic comedy that smuggles in a feminist nudge, reminding readers that women’s appetites - for humor, for autonomy, for sex - aren’t errors to be corrected by a treadmill.
The intent is both comic and corrective. Bombeck’s persona was built around puncturing middle-class pieties - especially those aimed at women - with a tone that feels like confession but functions like critique. “Take up jogging” evokes the late-20th-century fitness boom, when wellness culture started selling redemption in sneakers. Her punchline calls out that bargain: if the body is going to be managed, timed, optimized, it should at least come with pleasure attached.
Subtext: fatigue has replaced desire, routine has replaced romance, and adulthood has a way of turning the soundtrack of intimacy into the soundtrack of chores. By choosing “heavy breathing” rather than love or passion, Bombeck keeps it tactile and slightly ridiculous, the way real longing often is when it’s been sitting under laundry piles and schedules. It’s funny because it’s frank, and frank because it’s safe: a horny thought disguised as a health plan.
Contextually, it’s classic Bombeck: domestic comedy that smuggles in a feminist nudge, reminding readers that women’s appetites - for humor, for autonomy, for sex - aren’t errors to be corrected by a treadmill.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Quote attributed to Erma Bombeck; documented on the Wikiquote page "Erma Bombeck". |
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