"The Opera is obviously the first draft of a fine spectacle; it suggests the idea of one"
About this Quote
The subtext is less about music than about social performance. In Louis XIV's France, opera is court culture at full volume: spectacle, hierarchy, money, and attention arranged into an evening. La Bruyere, who made a career of anatomizing vanity in The Characters, treats the whole enterprise as aspirational display that mistakes size for substance. The "fine spectacle" he's dangling is a fantasy of order: a show where elements know their place, where decoration doesn't overtake meaning.
It works because it's not a rant; it's a shrug with a blade in it. La Bruyere doesn't argue that opera fails. He implies it doesn't yet exist. That rhetorical move is snobbish, yes, but also modern: a critique of media that confuses maximal production with finished thought. Opera, in his view, is a concept pitch funded at court scale.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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Citation Formats
APA Style (7th ed.)
Bruyère, Jean de La. (2026, January 17). The Opera is obviously the first draft of a fine spectacle; it suggests the idea of one. FixQuotes. https://fixquotes.com/quotes/the-opera-is-obviously-the-first-draft-of-a-fine-24139/
Chicago Style
Bruyère, Jean de La. "The Opera is obviously the first draft of a fine spectacle; it suggests the idea of one." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/the-opera-is-obviously-the-first-draft-of-a-fine-24139/.
MLA Style (9th ed.)
"The Opera is obviously the first draft of a fine spectacle; it suggests the idea of one." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/the-opera-is-obviously-the-first-draft-of-a-fine-24139/. Accessed 5 Feb. 2026.